Cindy Crawford Quotes

You see some of these actors, they have a permanent smile on their face. How can they do that? It really fascinates me.

I was ten years old when my first 'Vogue' cover sang me its siren call and dashed me against the treacherous rocks of fashion obsession.

Before I came out, I had a lot of anger. For years people would ask, 'How are you doing?' and I'd say, 'Good, fine.' It's show business, and that's what you have to show.

There's so many misconceptions about me and my personality. People think I'm not a nice person, you know, or maybe a diva; not just about me, but the misconceptions of other models as well, or supermodels.

It would be so depressing to be a model and not get to say a word. There's no personality involved.

Abraham Lincoln worked hard at being inscrutable. The tones, the gestures, the kindling eye, and the mirth-provoking look defy the reporter's skill.

I keep a lot of things inside. I don't like showing too much emotion. Early in the minor leagues, they wanted me to show more emotion, but it wasn't me.

For eight months, from January to August of 2007, I filmed with Anna Wintour and her team at 'Vogue' as they created the September 2007 issue of the magazine.

If David Goffin wants to remain calm and quiet, fine. But perhaps he would enjoy to have a little more freedom to show another side of his personality.

I think we have great personalities in tennis, but I think they don't dare anymore expressing their emotions and expressing who they are. It's all about being politically correct all the time.

I don't want to show my emotions in public.

When I'm away from the field, I show a little more emotion and stuff.

I keep the tantrums to a minimum because people don't want to see that.

The tongue is more easily controlled than the features of the face; and though the heart may be secret, the face is transparent.

There's a really brilliant photographer who's deceased who in my sort of fashion and modelling days, I was fortunate enough to get to work with before he passed away, but Richard Avedon was utterly genius and creatively brilliant.

I was the only person in the world who thought it was a military duty to appear to be in a good mood.

Boy George of course, was my idol as a teenager. I haven't photographed him, even though I know him now. He wants the pictures to be retouched, and I don't want that.

The full expression of personality depends upon its being inflated by social prestige; it is a social privilege.

I was the one who was always scowling, downcast. I tried to make sure I looked like that when I was getting my picture taken.

The expression on my face - who on earth would be interested in that? All that I have to say is to be found in my works. (On being photographed)

... it's impossible to register any emotion without using some muscle which, in time, will produce a wrinkle. ... By the time she is thirty, a starlet has been carefully taught to smile like a dead halibut. The eyes widen, the mouth drops open, but the eye muscles are never involved.

I don't think anyone has ever been in a better place at a better time than I was when I was editor of Vogue. Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later. Like all great times, the sixties were about personalities.

There is no one so bound to his own face that he does not cherish the hope of presenting another to the world.

His cheek twitched. With Jeremy, this was the equivalent of an emotional outburst.