Facelessness Quotes

I still never get recognized. Small, bald white guys like myself - we all kind of look the same.

I wanted to play Zapruder, as he is a man you really don't know much about: a faceless, anonymous figure.

I think I would make a good spy. I can sort of be a chameleon. People don't notice me very easily. I never get recognized.

I was the all-American face. You name it, honey - American Dairy Milk, Metropolitan Life insurance, McDonald's, Burger King. The Face That Didn't Matter - that's what I called my face.

Dance music is so interchangeable. There's not a lot of face to it. It's a bunch of Dutch DJs with the same haircut.

I have the ordinary experience of being anonymous when I'm in an airplane talking to air-traffic control, and they don't know who they're talking to. I have a lot of common experiences.

I wish to speak with all respect of persons, but sometimes I must pinch myself to keep awake, and preserve the due decorum. They melt so fast into each other, that they are like grass and trees, and it needs an effort to treat them as individuals.

For me, it's important to keep a level of anonymity.

Do not ask who I am and do not ask me to remain the same. More than one person, doubtless like me, writes in order to have no face.

If I had come out with an album called 'Brendon Urie Does...' everyone would have been like, 'Who?' Even five albums in, I'm still faceless wherever I go, which is great.

Poverty is not dated. Homeless people have looked the same since the thirteenth century. Go back to the times of Tolstoy and Dostoyevsky. Look at photographs. It's amazing. The face on a homeless person is timeless.

I can't help feeling wary when I hear anything said about the masses. First you take their faces from 'em by calling 'em the masses and then you accuse 'em of not having any faces.

It is the anonymous "they," the enigmatic "they" who are in charge. Who is "they"? I don't know. Nobody knows. Not even "they" themselves.

My father always said I have a face for radio, and 'Cloverfield' was one of my finest pieces of work.

And I sit here without identity: faceless. My head aches.

I want to enjoy not getting recognised while it lasts. But the mask is a symbol of unity. Anyone can be a Walker.

It's a really, really hard life when you don't have a document that actually gives you a name and a face.

I've obviously got one of those faces that people can forget.

The intellectual is an individual with a specific public role in society that cannot be reduced simply to . . a faceless professional.

I always think my face is quite nondescript - it sort of fits in to any period. It's not really distinct enough for you to remember me from something.

After a certain point is reached the numbers cease to matter, and all that remains is the faceless mass of a crowd.

We are very fortunate to live in this country, but at the same time, the reason the forces are so much more destructive here is because they are faceless.

I never get recognised. I must have one of those forgettable faces, ha! And that's not a bad thing.

He is formless, almost faceless, a man whose countenance is a caricature, a man whose framework seems cartilaginous, without bones. He is inconsequent and voluble, ill poised and insecure. He is the very prototype of the Little Man. … His movements are awkward. There is in his face no trace of any inner conflict or self-discipline. And yet, he is not without a certain charm. But it is the soft almost feminine charm of the Austrian! When he talks it is with a broad Austrian dialect. The eyes alone are notable. Dark gray and hyperthyroidic, they have the peculiar shine which often distinguishes geniuses, alcoholics, and hysterics.

I love that I'm rarely recognized. I like it because I know I can look different from film to film.