We're a band. We're hired for parties. We have to know what to do.
I am a tip-top starlet. That is my job that I am paid to do.
There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"
Entertainment is such a great job to have.
I love working in television and in comedy, so whenever there's an opportunity to work on a TV sitcom, I'm like, 'Yes please!'
My first paying job in Los Angeles was taking tickets at the Bing under Ron Haver.
I remember I made $22 a week doing dinner theater in Norfolk, Virginia. Back then, in the '70s, that was pretty good for a teenager, for a part-time job.
Ummm, there is not just one good thing about being a VJ, it is a package deal. It is a fun job and you get paid to party and have a good time and make people have a good time, which is great.
I have the best job in the entire history of broadcasting.
After guest appearances, I got the offer to do the show as the successor of Arthur Schwartz. It's so much fun.
I prepared five songs, I sang them, and he hired me. I started working about a month later at the piano bar.
Getting to play superheros is a pretty good job.
I started D.J.-ing my first year of college just for fun and to pay bills.
As a standup comedian, I've worked almost every New Year's Eve of my adult life. It's the best-paying night of the year.
I am paid a good amount of money to not blink for 12 hours. It's fun, but I don't take it very seriously.
