I'm interested in seeking projects no matter where, no matter if it is in the United States, whether in Chile, whether in Venezuela.
Everyone is in the same situation, at different levels and in different places.
I was raised all over. Kansas, Hawaii, Georgia, Texas and Kentucky, by the time I was 11.
I'm quadracontinental. I've got a life in London, New York, L.A. and Hawaii.
Veterans come from all walks of life, and they live in small towns and big cities, in red states and blue states.
I tend to not think about the kind of movie things I want to be doing, because I've worked in all sorts of different places, and I've spent all sorts of time in England, and I'd still do things in Australia and in America.
Talent can pop up anywhere in the world, it's not just one city block.
I like Washington a great deal. I enjoyed living there. But then I've enjoyed living almost everywhere I've ever been. I just find that it's a different menu wherever you go.
There's a mass of places, really, where the idea started.
I was born in England, but then I lived in Calgary, Saudi Arabia, Cyprus, India, Vancouver, London, Toronto, and now L.A.
I see things in a specific way. All the films are different. There are specific characters and scenes and locations and ideas. There are colors I want to see. There are movements and things ... The films are different, but the approach is the same.
As a model, you really get to work everywhere in the world. You get a little bit of this, a little bit of that.
I don't know about others, but I want to work in India, America, Iran, Europe, and Russia - everywhere. I am a sucker for good script; I'll go wherever it'll take me.
Sadly, at a time when so much sophisticated cultural criticism by hip intellectuals from diverse locations extols a vision of cultural hybridity, border crossing, subjectivity constructed out of plurality, the vast majority of folks in this society still believe in a notion of identity that is rooted in a sense of essential traits and characteristics that are fixed and static.
