Miranda Otto Quotes

I don't know about others, but I want to work in India, America, Iran, Europe, and Russia - everywhere. I am a sucker for good script; I'll go wherever it'll take me.

In Hollywood there's a great openness, almost a voracious appetite for new people. In England there's a great suspicion of the new. In cultural terms, that can be a good thing, but when you're trying to break into the film industry, it's definitely a bad thing.

I've had people ask me to come and work for them. I went to Vienna and did three scenes in a movie for a guy that I met at a retrospective of Cassavetes films. It's a great way to travel, to meet people, to see different countries and cultures.

New York is fantastic, and I've done several films in Los Angeles which I really enjoyed, but I don't think that America is the be-all and end-all. I'll follow the good work wherever it may be.

I'm happy to work in the States because there are so many different and interesting projects. I'll go wherever people want me to work.

I have to say I've been lucky in that way in that I've been able to go from different films and different genres with different challenges.

I'm interested in seeking projects no matter where, no matter if it is in the United States, whether in Chile, whether in Venezuela.

I find it very beautiful to work in different countries because I see the mentality differences there. It is so rich, one always carries forward something.

I've been working with Spanish, French, some more American, and Japanese directors. And then I realized I have to study English, and that's why I moved to New York two years ago.

I would be open to doing cinema anywhere in the world. I wouldn't want to restrict myself to a certain kind of cinema or a certain language or get typecast.

It is a big thing to work in a foreign film.

Very good players have no problem moving to a different country.

I have never left the Tamil film industry and have always maintained that I'm open to good projects. I have not restricted myself to any one industry.

When I look back, there isn't a single film that I would disown because with every film, I've learnt a lot.

Australians are gypsies by nature. I've been fortunate enough to experience different regions of the world.

I don't have a set target on the number of films I should do in a year.

I'm lucky that I get to do the bigger movies and the smaller movies.

My place is cemented in Malayalam films. Malayalam is not my language and it felt alien to me. But for them, I am someone from Karnataka who could deliver.

I want to continue working in Mexico, but I'd also like to work in other countries eventually, too. Working behind the camera is interesting for me, too.

I have the luxury of balancing and juggling films in different languages.

I'm Italian and the privilege of working in my home country would fill me with pride. However, the opportunity to work in a variety of countries, learning new cultures and footballing mentalities, is also very valuable.

I would never close the door on coaching in Mexico.

When I was 20 years old, my uncle was an arthouse distributor, and he would take me to Cannes every year to work as a film scout.

I don't care about the image I have. What matters to me is that with every film, I am growing more and more as an actor, pushing and challenging myself.

I don't want to be picky and say that I only want to do films.