Digital Projection Quotes

The film industry is moving towards digital technology.

48 frames per second is something you have to get used to. I've got absolute belief and faith in 48 frames... it's something that could have ramifications for the entire industry. 'The Hobbit' really is the test of that.

I personally prefer projecting digitally. I guess I'm of that generation where I like that clarity.

The problem with making a virtual world of oneself is akin to the problem with projecting ourselves onto a cyberworld: there’s no end of virtual spaces in which to seek stimulation, but their very endlessness, the perpetual stimulation without satisfaction, becomes imprisoning.

When I look at a digitally acquired and projected image, it looks inferior against an original negative anamorphic print or an IMAX one.

Thirty years ago, we were in a movie theater and thought it was so cool because we were finally delivered from the horrors of stained glass and wooden pews.

Hopefully with digital projection, a film will always look the way the filmmaker intended.

Now with digital, we have much better projection, and if the theaters are charging higher prices but providing refreshments and a clean, well-lit theater, there's no reason why this cannot go on as a senior-citizen-driven business for years. Especially with movies for adults.

The Blu-ray is the real cinematech of world cinema. That's how it's being preserved. All of these guys that are trying to preserve 35mm negatives? They are wasting their time. There are better ways to see and project this stuff. It's called digital.

We do like digital projection. We like shooting on film, finishing digitally, and projection digitally. That's what I like best. It's still a movie. It's not someone's camcorder and it got projected. That's mean, I know.

When I started making films, all the theaters, the screen would slide open the widest possible point, and that would be widescreen. But now, theaters are geared up for around 16:9, so scope is now 'letterboxed.' In a way, if you want the big picture, you shoot 16:9.

I think films are perishable, because they depend too much on technology, which advances too quickly and the films become old-fashioned, antiques. What I hope for is that technology advances to the point that films in the future will depend on a little pill which you take; then you sit in the dark, and from your eyes you project the film you want to see on a blank wall.

With digital, you do have the advantage of having an absolutely rock steady image because there's no projector gate, no perforations, no film weaving through a machine. And there's no dust and no scratching.