Cultural Outreach Quotes

Our intention is to develop music, theatre and exhibition activities on the Far Eastern regions.

Museums, free libraries, and art galleries have this in common: that they are each expected to fulfill two purposes which are somewhat incongruous, and require to be pursued by different methods and with different appliances. Each of these institutions is expected to minister to the wants both of trained students and of the untrained and ignorant public; and the demands of these two classes of persons are so diverse that they must be provided for separately

Advertising has always been a huge unrecognised source of outdoor relief for the arts.

The Republican Party views Hispanics in terms of market share: Who are they? How do we reach them? Democrats still view us in terms of quotas.

We are going to set up a branch of the St Petersburg Mariinsky Theatre here [on the Far Easter]. We are also planning to open local branches of the Hermitage Museum and the Vaganova Academy of Russian Ballet.

Challenge America grants go to the towns and hamlets of this sprawling country, where big touring companies will rarely go, and major actors, actresses, writers and artists may never appear in person.

In 2007, when my husband Damian Woetzel took on the artistic direction at the Vail Valley International Dance Festival, we both felt it was important to offer the entire Vail community access to dance.

Open rehearsals reach people who might not otherwise hear the Philharmonic - people on fixed incomes, people who can't move easily at night, students.

I'm willing to stand behind this concept, that as conservatives, we can win the Hispanic vote without selling out the values. I don't think we need to compromise.

We are greatly conscious of the fact that among the Lamanites - as well as among all peoples of other countries - we have a responsibility to see that the gospel touches their hearts and minds and that they understand it.

I want this play and others like it to play in all parts of the country.

The most successful cultural diplomacy strategy integrates people-to-people or arts/culture/media-to-people interactions into the basic business of diplomacy. The programs in Afghanistan, Egypt, and Iran all contribute to core goals of U.S. policy in those countries.

I think the Republican Party is in a strong position with Latino voters and other demographics.

I think I can only help to expose percussion to all sorts of people. The balance between the lighter and more serious side is important.

We must carry the arts to the people, not wait for the people to come to the arts.

We do a lot of shows for young people who have probably never been to the theater before and they are learning about the Holocaust, which unhappily, many of them do not know about.

I would like to bring people who have never been to a museum into a museum. And I would like to bring museum goers into libraries. I think there ought to be this cross-fertilization.

The wonderful thing about delivering sports commentary on NPR was that because it has such a broad audience, I was able to reach people who otherwise had little or no interest in sport - especially as an important part of our human culture.

I think the preservation of orchestras and what they do is worth expending all the ways there are to reach out to people who might not otherwise go.

We need to bring music to the people, even to those who normally do not listen to classical music.

Performing abroad is ambassadorial.

Perhaps the community you mentioned might not come to the story. Sometimes you have to take the story to them, and perform it, and that's another way that I get an alternate point of view that isn't the official version of history out to a community. I feel that's what I've been doing since Caramelo.

I'm not opposed to reaching out Hispanics. I'm all for reaching out to everybody! As Americans. Not as members of groups, and not treating people as though they're legitimate members of some grievance group, but reaching out to them as human beings.

The museums want large crowds coming to the shows - it's the same thing. It's hype. Absolutely. But there's nothing evil about it.

It's wonderful doing concerts in places like New York and London, but I feel a responsibility to also bring my work home, to bring world-class, classical music to Somerset.