Crowd Reaction Quotes

The people would be just as noisy if they were going to see me hanged.

The scary thing is when I did my set in Texas everyone was excited. The show was great. I was done and the next DJ put something on vinyl and the difference! The quality!!

Just the energy when I was sitting and watching the game, like the seats were shaking, fans were screaming. Just, I feel like I'll be ready to play in something like that when it's my time.

There was no better entrance in history than The Ultimate Warrior. It was the greatest entrance between the music that had that guitar riff, and that face paint, and the tassels, and the gear. It was the greatest!

I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.

I like audiences and performing and, you know... applause!

This must be Monday Night RAW, we just got a Wendy's chant.

I love hitting the ball, controlling the ball. And yeah, even the roar of the crowd. I enjoy the roar of the crowd probably less than some players and more than some. But I'm not out here to be a celebrity.

I was in Studio 54 one time; it was great. But I'm not a discotheque guy. Sometimes, if I had a new demo, I went to some discotheques to check it out - see how the reactions of the people were. But just to dance, I rarely did that.

I'd go with our dad to watch our brothers play Sunday League. When I heard all the shouts, the reaction of the crowd, I wanted it to be about me.

I've actually enjoyed pitching on the road in the postseason. You go out there, and you're getting booed, and it's fun to try to silence the crowd.

If you happen to catch on fire during the show, do not panic or wave your arms around or scream or we wil give something to panic and wave you arms around and scream about.

You can't rely on the fact that people know you. At Glastonbury, when they all knew I was DJing, everyone was cheering even though they'd never heard some of the tracks I was playing before.

Here's the funny thing: Nothing drives a performance like an audience that gives back and even takes over. ECW was a product that will be remembered as much, if not more, for its audience interaction as for the things that happened in the ring.

I wrestled at the Staples Centre at 'Monday Night Raw' when I was 21 years old.

When I was a freshman and sophomore, I got booed every time I was put in the game. Then, in my junior and senior years, my dad got booed every time he took me out.

I like to say whatever comes to mind when I am in the ring and work off the reaction from the crowd.

I was really nervous about people booing, because my mother had gone for a film 20 years earlier and had a terrible time with people booing, whistling, so I knew that in Cannes people can get aggressive.

Wrestlemania is big, and I'm glad that I got to go on a real interesting 21-year ride on the road to and out of Wrestlemania.

I was always against starting the show with new material because the fans don't know it. They just look at you, and it's not explosive.

That wrestling ring is home for me; it's my passion. I love what I do.

Wrestling in Japan, obviously, the fans are a little bit different - very quiet, very respectful in New Japan - but here in the WWE, these fans are going nuts.

I thought that our first New York Comic Con for 'Jessica Jones' was epic because we had a pretty major reaction from the crowd after showing our first episode!

When I finished performing 'I Won't Give Up' for the first time, I opened my eyes, and I think there was maybe six people in there when I started, and when I finished there was about 30 people, all standing around with their jaws dropped in complete silence. I said, 'Okay, I think this song has some power to it.' So coffee shops work for me.