Tyler Joseph Quotes

When you're onstage, you're acutely aware of the reaction of a particular group of people, because it's like a wave.

When the audience comes in, it changes the temperature of what you've written.

I just feed off the energy of the audience.

The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.

I feed off the audience a lot, their energy.

There's nothing like performing in front of a live crowd and just having people literally react to whatever it is you do, and there's nothing better than when you get that connection with the audience.

I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.

In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience, too, so they're feeling what I'm feeling.

I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.

I don't know how to do a show not in front of a live audience.

When you put the musical in front of an audience, you get to see how the audience reacts.

I love working with an audience. I love working with actual people who, you know, if they're moved, you see it. If you say something they're stunned by, you see their jaws drop. If they're amused, they laugh - that kind of reinforcement, I totally adore.

When you're on stage you have a very strange knowledge of what the audience is. It isn't exactly a sound - it's a hum, like the streets.

Your audience gives you everything you need. They tell you. There is no director who can direct you like an audience.

My live performance, it just comes from feeling an energy and emotion from the crowd.

What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change.

There is no buzz like performing for a live audience.

If you're not doing something right, you can feel it on stage, and if it isn't going well, the audience will tell you. A teacher can teach you sense memory and this and that, but until you get in front of an audience, you don't really feel it.

Performing in front of an audience gives you an extra ten per cent energy and the chance to react to the instant feedback.

There's nothing like performing for a live audience.

It is amazing to sing in front of a live audience. It is incredible. The energy is awesome.

When you can connect with a live audience and you get that immediate response it's just great.

Here's the funny thing: Nothing drives a performance like an audience that gives back and even takes over. ECW was a product that will be remembered as much, if not more, for its audience interaction as for the things that happened in the ring.

I love Broadway. I love live performing. It's really spiritual when you can get to interact with people, and they actually affect how your show goes.

The last collaborator is your audience ... when the audience comes in, it changes the temperature of what you've written. Things that seem to work well -- work in a sense of carry the story forward and be integral to the piece -- suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.