Color has always been important to me, ever since my first deluxe box of Crayolas.
I'm more into, like, colour than, like, the type of car and stuff. I don't know much about cars, so I'm just more into picking the right color.
Color is crucial in painting, but it is very hard to talk about.
I'm always interested in projects. Whatever I do, I'm interested in the color of the material. I'm not interested in who's making it. I'm more concentrated on the work.
Color is the essence of painting, which the subject always killed.
I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
Color is everything. It's another piece of the visual language to express what you're trying to say.
You cannot explain me with "isms." They are very bad for an artist. What one must believe in is color.
In my photography, color and composition are inseparable. I see in color.
Color in certain places has the great value of making the outlines and structural planes seem more energetic.
With my coloring, I'm nothing in black and white. I've seen my films sometimes on black-and-white TV. Disaster.
Cobalt is a divine color and there is nothing as fine for putting an atmosphere round things. Carmine is the red of wine and is warm and lively like wine. The same goes for emerald green too. It's false economy to dispense with them, with those colors. Cadmium as well.
It would be much easier to just make black, brown and beige clothes. But I do not see the world in black and white and beige. I find colors incredibly important.
Colour is really important to me when buying clothes. I wear a lot of fitted jackets, and because I'm small, I avoid long skirts and coats. And I hate wearing hats.
I used this line to demonstrate how important colors are in movies: It's not a caprice.
Color is like food for the spirit - plus it's not addictive or fattening.
Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure.
