Pedro Almodovar Quotes

Color has always been important to me, ever since my first deluxe box of Crayolas.

Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure.

If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?

I don't know if I have a favorite color.

I don't have a favourite colour!

Color is crucial in painting, but it is very hard to talk about.

You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience.

I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.

You reason color more than you reason drawing... Color has a logic as severe as form.

If anything, there's a difference in working with color in England and the color in the US.

In most scripts, one or two characters have a lot of colors.

You buy any book on color theory today, and it's just complete poppycock. Everybody comes out of school painting pink, purple and green. The whole damn cartoon industry has pink purple and green on their mind.

Color is a matter of taste and of sensitivity.

Color is definitely an important factor for me during all phases of producing a cover. I always start out with a loose idea of what I want to see when I'm doing my initial sketches. This choice can be informed by anything, but I usually tend to lean toward more simple color schemes... something with a very obvious push between warms and cools.

I'm in love with red. I think it's such a passionate color. Every flag of every country pretty much has red it it. It's power, there's no fence sitting with red. Either you love it or you don't. I think its blood and strength and life. I do love red. I love all colors. Great shades of blue, you find them in nature. They're all magic.

Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.

I think my sense of color I have got from my upbringing in Peru.

There are people who don't respond to color. That's what painting is. It's color.

Green is one of my favorite colors - emerald green.

Sunset is still my favorite color, and rainbow is second.

It is only after years of preparation that the young artist should touch color - not color used descriptively, that is, but as a means of personal expression.

Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.

It's a waste of time to think that if you colored a painting red what might have happened if you painted it black.

I like light green, sometimes red is fun to look at, not a fan of yellow, unless it's in a rainbow or on a coffee mug or on a happy face.

Everything is about color. If you look at magazines and advertising and television, the thing you remember is the color.