Character Naming Quotes

I eventually thought of SpongeBob, but he needed a last name - SquarePants came to mind.

It doesn't help for you to name a character's first name be Mindy and then be like, "I'm nothing like the character."

My son's name is Dirk - I named Dirk Pitt after him when he was about three years old.

In both 'Tigerman' and my first book, 'The Gone-Away World,' there are characters who never really get names. They're too fundamentally who they are to be bound by a name, so I couldn't give them one.

Sometimes I'll be fifty, sixty pages into something and I'll still be calling a character "X." I don't have a very clear idea of who the characters are until they start talking. Then I start to love them. By the time I finish the book, I love them so much that I want to stay with them. I don't want to leave them ever.

Parker wasn't supposed to be a series. He was supposed to be one book, and if he was only going to be in one book, I didn't worry about it. And then an editor at Pocket Books said "Write more books about him." So I didn't go back at that point and give him a first name. If I'd known he would've been a series, I would've done two things differently. First, I would've given him a first name because that means for 27 books, I've had to find some other way to say, "Parker parked the car."

I basically drew my own family. My father's name is Homer. My mother's name is Margaret. I have a sister Lisa and another sister Maggie, so I drew all of them. I was going to name the main character Matt, but I didn't think it would go over well in a pitch meeting, so I changed the name to Bart.

The part in 'Taxi' was originally written for a guy named Phil Ryan, so they made it Phil Banta, and then they made it Tony Banta, which sounded a lot better anyway.

One of the bibles of my youth was 'Birds of the West Indies,' by James Bond, a well-known ornithologist, and when I was casting about for a name for my protagonist I thought, 'My God, that's the dullest name I've ever heard,' so I appropriated it. Now the dullest name in the world has become an exciting one.

Names generate meaning in a short amount of space — they provoke thoughts, questions. That's something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It's a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level.

I was brought up very Catholic, and the character of Tommy Gnosis got his name from there.

I almost didn't name Butt-Head 'Butt-Head.' I came real close to calling him something else.

I'm good at - or, rather, I like - giving names to characters.

My friends know I'm a really big movie buff, and I named Vivianne after a movie character. She was named after Vivianne Walker in 'Ya Ya Sisterhood.'

There are writers for whom names mean nothing; everybody could be called John and Elizabeth, and the writing would be just as good. A name, of course, is like a piece of clothing, isn't it? It gives you an impression right away.

The really good thing about my career is that I never went through a phase where I played characters who had names like "Partygoer," "Waiter," or "Guy #1."

There’s an old writing rule that says ‘Don’t have two character names start with the same letter’, but I knew at the beginning that I was going to have more than 26 characters, so I was in trouble there. Ultimately it comes down to what sounds right. And I struggle with that, finding the right name for a character. If I can’t find the right name I don’t know who the character is and I can’t proceed.

So, I'm thinking of a name for a villain that has a sense of humor. I thought of 'The Joker' as a name, and as soon as I thought that, I associate it with the playing card, as my family had a tradition of champion playing; my brother was a contract champion bridge player. There were always cards around the house.

Everything about writing is hard for me except for that - the names pop into my head. That's one of the reasons why I always make sure I have a notebook with me.

Never name a show after a character if you want to be the guy running the show.

I am pretty sure I will never get a better character name than Japonica Fenway.

I love crazy names. It comes right from Monty Python and Woody Allen - nothing in the world makes me giggle more than a funny name. It became a thing I started doing when I wrote. If a person came into a store and said, "How much is this apple?" that person would have an insane name.

A lot of fantasy names are too much. They’re too difficult to pronounce. I wanted the flavour of medieval England. I took actual names we still use today, like ‘Robert’, and in some case I tweaked them a little bit. I made ‘Edward’ into ‘Eddard’. If you look back at medieval times, no one knew how to spell their own names. There are a lot of variations that we’ve lost.

For some reason, all my characters come to me with their names attached to them. I never have to search for the names.

Back in high school, I wrote a novel about a character named Bart Simpson. I thought it was a very unusual name for a kid at the time. I had this idea of an angry father yelling 'Bart,' and Bart sounds kind of like bark - like a barking dog.