Career Adaptation Quotes

I can feel the 60S looming. In my profession, I've just moved along with my age. By thinking in decades, rather than whether someone's 42 or 47, you can give yourself a whole 10 years to turn yourself around in.

I've always tried to fit what I do professionally into my family, rather than the other way around.

After I graduated, I didn't have the resources to go to the studio, which is why I then went to social media.

I was born Joseph Lane, but when I applied to the actors union, they said they already had a Joe Lane on the books and I'd have to change my last or first name. I had played the character of Nathan Detroit, whom I liked very much, in 'Guys and Dolls,' so I took the name Nathan.

I met my wife in Oxford, fell in love with her, and followed her to New York. I was an illegal there for the first few years, until we got married, so I ended up doing lots of interesting jobs, some for a few days, some for a few months.

To me, I think I've always carried that type of WWE style with me throughout my career, even before I got here, so the transition hasn't been that difficult. I've been enjoying the transition, to be honest with you, because in my opinion, this business evolves all the time, and it changes all the time.

When I came in, Westerns were the big thing, so I did horse falls, transfers, bulldogs, big fights. That's where you could really shine if you were really good at it. But then all the Westerns stopped, and I was capable of doing car stunts, motorcycle stunts and high falls. I could do it all.

I'm in a stage where I feel like I need to retrain my mind, because since the beginning of my career, I've been such a fighter and a little hustler and someone who just tried to stay afloat in this business.

The fashion editor as it used to be has changed. Now you have to wear many hats, and whoever tells you differently is wrong. Now you're on TV, whether you want it or not.

I suddenly became aware over the last couple of years that I'm in my sixties. I never thought about it. I thought I'd better start acting my age or find roles that are going to be interesting to me in the sexagenarian repertoire, because it's not what you do in your forties or fifties.

I stopped getting films. So I had to move to television. I kept myself alive with stage shows.

I started on television, and on sitcoms, and loved them, but then they sort of seemed to be going through sort of an ice age, and they started dying off one by one, and I recognized that, and my representatives recognized that, and we said 'Well, let's look at dramas and other things like that.'

I guess I reinvented myself about 18 times throughout my career.

Some players have to change their game in their careers. I did, and I like it.

I changed my act because I wasn't getting booked.

I gave up planning when our children were born, when I had three children to feed and a roof to keep over our head and all of that. Early in my career, I said I would never do television at all; then I wound up doing nothing but television for 10 years when I did 'St. Elsewhere' and all those TV movies.

I was always a character actress, even when I was an ingenue. But as you age, people know what to do with you, and you're not quite as dependent on maintaining leading-lady beauty.

I don't have to be that gentleman ["baddest man on the planet"] anymore. Now I have to be "this" guy. And in order to be "this" guy, I have to be smiling, I have to be gregarious, I have to be entertaining, and I have to be friendly. This is what my career needs now. I've adapted. But 20 years from now, I may need a different persona.

I didn't go to school for illustration. I did larger pieces, mostly drawings and paintings, and minored in video, but when I moved to N.Y.C., I didn't have a studio space anymore and downsized to my desk and started illustrating. I started a greeting card company and sold cards all over the city.

Physically, women have some challenges in the kitchen, like lifting heavy pots on and off the stove. You learn to adapt; you learn to find a way. But the biggest challenge for women in this industry is how to balance a family with such a demanding career.

My best country record only sold 200,000 copies. I didn't have enough money for the band and the arrangements and the costumes and all. I had to move into wider fields.

I'm sure you feel differently about writing than you did when you first started. When you get older and your brain changes, you have to figure out how your job fits into your life as it changes, you know what I mean? I guess everybody goes through that stuff, and I'm no exception, always trying to figure out what I'm doing with music.

It's true that I have sacrificed certain jobs, and it's been a matter of fitting my career into the Globe rather than the other way around.