'Rob & Big' was a buddy comedy show.
I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
'Step Brothers' itself, when I did it, I don't know if I had any idea that it would become a defining moment in my career and life like it has, and I'm really happy that that's the one that ended up being that for me.
If Mr. Chan ever makes another movie like 'The Tuxedo,' it's American audiences that will see him in court. With 'Shanghai Knights,' he has come through with one of his best. This time, it's personable.
Tyrone, I think they're taking to festivals. I don't know which festivals it will be at. It's like a buddy picture. It's a couple of guys driving across the country and they get to a small town and they hit a guy. The guy turns out to be a drug smuggler.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
Sooner or later, The Rock's going to get tired of that empty space on his mantle where an Oscar should be, and that's when I'll get the phone call for the buddy movie that finally makes his career.
I've never found kicks to the groin particularly funny, although recent work in the genre of the buddy movie suggests audience research must prove me wrong.
They have a kind of Bob Hope and Bing Crosby thing going on.
What the hell did I do in the 80's? Midnight Run. A perfect movie. Just a perfect movie.
One of my favorite films is 'Dumb and Dumber.'
I've always wanted to do a female buddy film, the kind the guys get to do.