Seth Rogen Quotes

What the hell did I do in the 80's? Midnight Run. A perfect movie. Just a perfect movie.

I just watched 'Lethal Weapon' for the first time, and it's awesome... and so violent! Mel is out of his mind in that movie. Although now we know he's just insane - he was very much in his mind.

The original idea [ of the Pineapple Express] came from Judd [Apatow] actually. He just kind of had the loose notion of like, 'What about a weed action movie?'.

When I was a kid watching "The Blues Brothers," I could not think of a better thing than watching 300 cop cars crash into each other.

If you choose to do both [acting and directing] on a set, than you're admitting that you understand that everyone is in it for the same goal and it's a collaborative experience. You can't really jump into being an actor, and than direct yourself. At some point, you have to be willing to accept other people's opinions. I think that's helpful. If you try to micro-manage and control all of it, than you're probably heading for disaster.

If it's something I feel I can do alright, I like being in those, and some that I think Rob Schneider and David Spade would be funnier at than me, I tell them to do it. I don't have any clue how we decide. There's this thing, this "Click", actually, one of my friends called me up, my partner told me about this idea that Steve Koren had. Steve Koren, by the way, the guy who wrote it with Mark O'Keefe, Steve Koren I've known since I was 22. He was a page at Saturday Night Live.

I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.

I still feel lucky whenever I hear a director say, "Action!" Because then I think, "Whoa, I'm really in the movies. This is a real thing happening." I've never not been enthralled by that. I still love it. I still love hearing it, and I feel really lucky all the time.

I'd love to do a film with Mariah. But it would have to be a comedy. She's the funniest woman in the world, she just cracks me up all the time.

Everybody is trying to make something real, something with a core of substance, and of course, an exciting action movie with a lot of terrific stuff and fantastic visuals and everything, but at the core of it, it's a movie with substance and something that is going to make people think.

[Keeping Up with the Joneses] is not one of those movies where people get shot and fall down and there's no reality of what would happen if you got shot and knocked over a motorcycle. It's meant to be a slight comedy in that sense.

I have always loved marijuana. It has been a source of joy and comfort to me for many years. And I still think of it as a basic staple of life, along with beer and ice and grapefruits - and millions of Americans agree with me.

On every film I do, whenever there are other girls my age, I think it's definitely up to me to set the pace. That's because I've had a lot of experience and I think there's always a certain amount of professionalism that should be maintained. If I was catty or whatever, it would just make the whole shoot unpleasant. And what's the point of that?

I would love to work with Guillermo del Toro and J.J. Abrams. I think they are creative geniuses that are constantly producing great work, and they're two people that I would just love to work with.

I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.

You make a movie and it's like convincing people to go on an expedition with you. You think you know where it's going to end up, and you're hoping and guessing. But, when people trust you and get involved, based on that trust, it's a really nice feeling to be able to have everything pay off.

I think that's one of the biggest goals I had in making a movie, was listening to what other people had to say.

I think I wanna do some action stuff down the road. I wanna kill some aliens. Something real fun, you know? Just a big, fun movie.

Fortunately, I have an amazing partner that allows us to do these different things, who will be directing an episode himself soon, I'm sure. But, it's amazing. I love directing and I think that it allowed me to get closer to the actors and actually work with them on a level that I haven't before, and really get down there with them. I would jump at the chance to do it, anytime I could.

I really enjoyed it - being involved in watching rushes and playback [in "The Invisible Woman"]. Ralph [Fiennes] was very open to my input, I think knowing that he couldn't always be there 100 percent, that he had dual aims with directing and acting.

I think I've had pretty good experiences for the most part with the people who have directed my screenplays. It's more that I wanted to see what it would be like if I didn't have to collaborate with anybody, to have a sense of purity of the thing from beginning to end. I liked doing it. It's really different from writing. Directing is a more pragmatic experience, where you have to deal with the restrictions of time and money that force you to make certain decisions you don't have to make when you're writing.

You have to engage with people who are different from you and try to work with their thinking and their mind. That's a real challenge.

When I first heard about Beverly Hills Chihuahua, I thought, no. This, this is ridiculous. And then you read the script and you close the script and you go, "They aren't going to be able to do that with real dogs. How are they going to do that?" You're going to see the strings. But they did.

I mean we certainly always shoot a lot of extra material, but our goal was to make kind of like a big kind of rock-and-roll road trip comedy that has heart and that has hopefully you feel bad for Russell and you feel bad for Aldeus and also I wanted to surprise people with some of the turns in the movie and I think when I watched it with audiences they certainly...the reactions made me think that we did and so all that I'm just very excited about it.

I like pot, I enjoy pot, I like to smoke it. But, the one thing I don't like about pot is the subculture it's spawned. I think it's embarrassing and really juvenile and uncreative