Borderlands Quotes

As successful as 'Borderlands' is and as much fun as everyone is having going after all the loot and finding and using all the weapons in the game, I often think that we really missed the mark by only doing 87 bazillion guns.

I have a theory about Ireland, being at the edge of Europe. For 1,000 years, people didn't know what was beyond. But we thought about it - a lot. And that 'beyond' became internalized in our psyche.

'Borderlands' came out of nowhere to appease the gnawing hunger left behind with the dearth of quality dungeon crawlers on the market.

If we look at 'Borderlands,' I can't honestly say that there is anything about how well the game sold that I'm disappointed about.

The closer one gets to either the eastern or the southern fringe of the German-speaking world-the closer one gets, in other words, to the threatening and more numerous Slavs-the more insecure and dangerous nationalism becomes.

Borderlands' is a horrific failure if our goal is to entertain the world.

One of the things I wish Sony would do is get behind 'Borderlands,' because I'd love to see a Vita version of the game.

Perhaps 'Borderlands' can be a lesson for all of us - that when making a videogame, we should not be afraid to identify gamers as the audience.

I live in the borderlands. The word ghost sounds like memory. The word therapy means exorcism. My visions echo and multiplymultiply. I don't know how to figure out what they mean. I can't tell where they start or if they will end. But I know this. If they shrink my head any more, or float me away on an ocean of pills, I will never return.

I have seen and drawn dying, poisoned worlds. I published a book of drawings called 'Death of Wood' about one such world, on the border between the Federal Republic of Germany and what was then still the German Democratic Republic.

The mission of Gearbox is to entertain the world and with the record-breaking success of 'Borderlands 3,' we're excited to take one more giant leap down that road.

The world I grew up in had both a literal and mythological quality. We were on the borders of several worlds - the larger black world bordered us on one side. More distantly, there was the larger white world. We interacted with some, but not others. If you think of it as an internal geography, it is a land, a contested space with these very charged historical, cultural, and emotional borders.

We remain the saddest little district of the world, the most miserable people of the world, losing our own persona and not being able to take on anyone else's, torn away and not accepted, alien to all and everyone, including those with whom we are most closely related, but who will not recognize us as their kin. We live on a divide between worlds, at the border between nations, always at a fault to someone and first to be struck. Waves of history strike us as a sea cliff.

Why is 'Borderlands' different from every other game with respect to DLC? It's because we haven't really worried about what the past models are. We just thought about what would be fun for us to make and what there would be demand for if it were to exist.

I have always felt that the action most worth watching is not at the center of things but where edges meet. I like shorelines, weather fronts, international borders. There are interesting frictions and incongruities in these places, and often, if you stand at the point of tangency, you can see both sides better than if you were in the middle of either one.

We decided we were going to do more 'Brothers In Arms,' and we were also going to create something original that no one else was doing, and that's what led to 'Borderlands.'