Bedroom Recording Quotes

Just about the entirety of the first album, 'Brown Sugar,' I wrote it, the majority of that record in my bedroom in Richmond. And all of the demos for it were done on a four-track in my bedroom. I think EMI was a little leery of me being in the studio producing it on my own, which is what I was fighting for.

I started writing and recording, at a very basic level, just in my own bedroom.

I don't want the big flashing lights and red carpet, like, 'Here comes another Bon Iver album!' I just want it to be my bedroom-y thing. But that'll take a while to figure out.

There's not a lot of precedent for weird, bald musicians in the Lower East Side making records in their bedrooms and going on to sell a lot of copies of the record. Especially if you look at the pop climate.

My songs used to be significantly more bizarre. I used to play a big electric piano and a loop pedal. I was really into Regina Spektor, and I liked her narrative lyrics that were quite off the wall. I used to layer things up and try and replicate what I'd been doing with my bedroom recordings.

'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.

Almost everything I've ever recorded, I recorded myself at the desk, in my house.

A lot of the things I was doing on the first couple Washed Out releases was very naive.

'Nothing Left to Lose' was an album that I wrote in my bedroom, and you don't know who is listening or who cares.

I'm a weird, bald musician who makes records in his bedroom and lives in the Lower East Side.

I wrote all my songs on my main instruments, and the songs I would record in my bedroom were just acoustic guitar, mandolin, and sometimes bass. I really like the texture the mandolin added to my music, but my fingers were too big to play it... I could only do little riffs and whatever.

Over the last 10 years, there have been so many incredible albums created in bedrooms by people who never would've gotten an album deal. People keep thinking of professional music studios like they've always been this way for hundreds of years, but they're very much a child of the 70s. Even the interior is very 70s. Everything's brown and it's wood - somebody told me the wood panels are all by the same company. We're always mourning things that have died. It's a bit much sometimes. These studios have no fresh air, and there's this unwritten rule that they don't have windows, either.

I made a CD in my dorm room and put it on the Internet, and my friends blew it up. Within a few months, I was doing shows across the country without a record deal, without a single, without anything.