Bjork Quotes

I think some people are really connected to who they were as children. And some people aren't.

Way, way back in the day, like in the 1990s, if you wanted to tell everyone you ate waffles for breakfast, you couldn’t just go on the Internet and tweet it out. There was only one way to do it. You had to go outside and scream at the top of your lungs, 'I ate waffles for breakfast!' That’s why so many people ended up in institutions. They seemed crazy, but when you think about it, they were just ahead of their time.

People are making their own records in their houses. It's an exciting time.

Almost everything I've ever recorded, I recorded myself at the desk, in my house.

People keep asking me what I think of it now that it's done. Hence my protest: The Web is not done!

We are not primitive. We live differently to you, but we do not live exactly like our grandparents did, nor do you. Were your ancestors 'primitive'? I don't think so. We respect our ancestors. We love our children. This is the same for all people.

People say sometimes, "You work in the fastest-moving industry in the world." I don't feel that way. I think I work in one of the slowest. It seems to take forever to get anything done.

I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.

Going back after a long time will make you made, because the people you left behind do not like to think of you changed, will treat you as they always did, accuse you of being indifferent, when you are only different.

Recording studios are filled with technology. They are set in their ways. And to update them means you'd have to change them back. That would be my idea of upgrading. And this will never happen. As far as I know, recording studios are booked all the time. So obviously people like all the improvements. The more technically advanced they are, the more in demand they become.

My heart broke all over again. I wanted my life back, my mama, but I knew I would never have that. The child I had been was gone with the child she had been. We were new people, and we didn't know each other anymore. I shook my head desperately.

I think some people are just very passionate that things remain the way they were when they were kids.

I went to Seattle as just another geek in the food chain, thinking, "Well, in my own puny little way, I'd rather be a part of history than just sit and watch it on TV." So, the fact that so many people are starting to ask the right questions and rack their brains for solutions does give me hope.

I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.

I don't know what people think in making record is like. But basically, I got a bunch of spaghetti and spaghetti sauce, and the whole band was staying at my house and we had a ball.

It's just people who grew up in that time are suddenly old enough to be creators themselves, but I think they have a little perspective. I'm 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the '80s and think back.

I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.

Men... look back on the children who were once themselves, and attempt to reconstruct them. But they can no longer think like the child.

People seem to forget what it was like to be a child. I think it's partly because they want to forget, because it usually wasn't as good as you thought it was, and so you want to skip over those things, and not have to relate to that anymore.

Do people think I'm cool because I was in a movie when I was a child? No. Well, maybe a little bit more than they used to. There's definitely a nostalgia factor.

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

My own answer to the contrarian question is that most people think the future of the world will be defined by globalization, but the truth is that technology matters more.

Japan will change. Let's create a country where innovation is constantly happening, giving birth to new industries to lead the world, when I visit Silicon Valley I want to think about how we can take Silicon Valley's ways and make them work in Japan.

It felt like being a child again, though it was not. Being a child is like nothing. It's only being. Later, when we think about it, we make it into youth.

I think what is probably hard for people to imagine is how wrapped up the 17 years' work on Harry Potter is with what was going on in my life at the time. I was mourning the loss of this world that I had written for so long and loved so much. I was also mourning the retreat it had been from - from ordinary life, which it has been. And it forced me to look back at 17 years of my life and remember things.