Authorial Integrity Quotes

If you are a designer, sometimes it is better not to delegate, because someone pays money for something that you designed, so it should be exactly the way you want it, exactly the way you would have chosen it. People call me a control freak, and I say, "Well, my name is on the shoe." It means the heel needs to be the way I want it and not the way somebody else wants it, and the toe needs to be exactly the way I want it, and the fabric and the material have to be exactly the way I want it. It is not a democracy - it is a dictatorship.

I'm constantly having to check my conscience about what I'm writing and the responsibility of what I'm saying.

The most accomplished literary work would be reduced to nothing by carping criticism, if the author would listen to all critics and allow every one to erase the passage which pleases him the least.

I'm willing to show good taste, if I can, in somebody else's living room, but our reading life is too short for a writer to be in any way polite. Since his words enter into another's brain in silence and intimacy, he should be as honest and explicit as we are with ourselves.

I don't want the world to give me anything for my books except money enough to save me from the temptation to write only for money.

The best training is to read and write, no matter what. Don't live with a lover or roommate who doesn't respect your work. Don't lie, buy time, borrow to buy time. Write what will stop your breath if you don't write.

I didn't like people rewriting my dialogue. I didn't like the fact that we'd start a comic with the Joker, and by the time we inked it, he would have turned into the Scarecrow.

I have no liking for novels or stories - none in the world; and so, whenever I read one - which is not oftener than once in two years, and even in these same cases I seldom read beyond the middle of the book - my distaste for the vehicle always taints my judgment of the literature itself, as a matter of course; and also of course makes my verdict valuless. Are you saying "You have written stories yourself." Quite true: but the fact that an Indian likes to scalp people is no evidence that he likes to be scalped.

There's never a false note in a Berg novel.

The authors of book reviews would consider themselves dishonored were they to mention, as they should, the subject of the book.

When public figures write memoirs, there is always some indecision regarding how much they want to write of things as they were and how much they want to cut corners to avoid riling up others. I decided to write my memoirs exactly as they were, and I will not digress - not when things are ill at ease and not when they are comfortable.

I abide by a rule concerning reviews: I will never ask, neither in writing nor in person, that a word be put in about my book.... One feels cleaner this way. When someone asks that his book be reviewed he risks running up against a vulgarity offensive to authorial sensibilities.

I think of myself as a bad writer with big ideas, but I'd rather be that than a big writer with bad ideas.

Your writing is still yours, no matter what the contract or your editor might say. Trust your gut. It knows when you're screwing up. Your brain will lie to you. It loves the paycheck, it loves positive feedback. Your gut is under no obligation to make you feel good.

Novels written with film contracts in mind have a faint but unmistakable, and ruinous, odor.

I can only write about what I know, I'd be crap anywhere else.

I must speak the truth, even at the risk of being ostracized by my fellow scribblers. In fact, anticipating their rage, I have already applied for a place in the Canada Council's witness-protection program. This because, much as it pains me to turn on my kind, I fear the time has come to admit that far too many celebrated writers were outrageous liars, philanderers, drunks, druggies, unsuitable babysitters, plagiarists, psychopaths, parasites, cowards, indifferent dads or moms and bad credit risks.

It's not the norm when creators have any protections with regards to creative control. And so it took some time, I think, for the strip to gain enough popularity where I had enough leverage to come in and say, "It has to be done in a certain way or it's not going to be done at all," and then have people willing to put up with that who were ultimately paying for it. You know, for them to be willing to kind of concede those kind of things. It just takes time, you know?

I never, ever want to be in a position where people are sitting round a table, saying, 'We've got this book. I don't really get it, but we paid for it, so we've got to sell it.' I'm not Tony Parsons; that's not right for me.

My job is not to save 'The Wheel of Time', to fix 'The Wheel of Time', or anything like that. My job is not to screw it up.

Without sounding pompous, I really do feel that I have a set of standards that I must adhere to, even leaving aside considerations of what the readers expect.

I've been approached many times by many different people, and most people want to do something that I write and produce, and I'm just not into that.

If it's not good enough for adults, it's not good enough for children. If a book that is going to be marketed for children does not interest me, a grownup, then I am dishonoring the children for whom the book is intended, and I am dishonoring books. And words.

I believe strongly in an author's moral responsibility. But his first obligation is to write good books.

The problem with an autobiography is that all these extra factors make it difficult. You don't want to hurt people's feelings. You don't know how much you can trust your memory. You don't want it to be self-serving. And you have all these issues about how to present yourself. All these factors make it harder to do than a novel.