At the same time, one of the things I noticed was that the moment there was any kind of audio attached to virtual reality, it really improved the experience, even though the audio didn't feel like a sound engineer or composer had been anywhere near it.
As entertainment and storytelling move in the direction of more immersive environments, binaural sound will begin to play a larger and larger role in those experiences.
Every technology that comes into filmmaking is first a gimmick. Think about sound with 'The Jazz Singer' or the first colour or surround sound - it takes a while for filmmakers to understand how to use it.
I have these headphones, which pretty much exclude everything else so that you can really completely control the sound that you're hearing. I don't use them very much, I have to say. I very rarely listen on headphones.
I've always been a fan of vinyl. There's something about the ritual of it. Something about it holds its gravity, for some reason. Sometimes you'll put on music and the music fades into the background. But when you take that vinyl out and put it down, the music becomes the conversation as opposed to being the soundtrack to it.
A kid that picks up a record, he doesn't need to know anything other than the music and have it in his or her headphones. They're getting ideas directly, it's like someone whispering in their ear. That's such a personal way to receive information.
Game music has a purpose and it does incorporate sound effects.
I try to make it a sonic experience so that when you put your earbuds in or when you're in your room, it sounds like an enveloping feeling. I think that is the most important thing, that wherever you are, it is wrapping you up and making you feel safe and comfortable.
My radio's loud like a fire alarm: The floor vibrates, the walls cave in, The bass makes my eardrums seem thin. Def sounds in my ride, yes the front and back... You would think it was a party, not a Cadillac!
The telephone is virtual reality in that you can meet with someone as if you are together, at least for the auditory sense.
I love 5.1. Sometimes you can't squeeze everything in comfortably into a stereo picture. There is a lot more space in a 5.1 environment.
Listening to something without being present is different from being there in the flesh.
I want the dude in the top row to feel like he's down there on the front row in a club.
That's the thing: when I listen on public transport, my headphones act as a separator - a wired barrier between me and the nearest people. Yet my podcasts drag me through the depths of human nature.
A mate of mine said recently said a lot of stuff sounds like you're listening to it outside, but also like you're surrounded by it, and I think that's quite similar.
There was an era when people would turn on their radio and hear a radio drama. Now, you could be as scared by that as seeing it filmed. In those days, people used to sit by the fire and imagine what they were hearing. Everything is its own art form.
I always dreamed, when I started writing music, to find a way of immersing yourself in it.
To me, sound is a crucial component to, really, any moviegoing experience, but particularly with suspense films or thrillers. I think you need the audience to become subtly really attuned to the soundscape in, like, this uncomfortable way.
I have a particular pair of headphones I love so much I bring them everywhere: Beats Studio. It's perfect for watching movies as well because you feel like you have your own theater with you, even with your iPad.
I've never listened to an audiobook before, and I have to say it's a totally different experience. When you read a book, the story definitely takes place in your head. When you listen, it seems to happen in a little cloud all around it, like a fuzzy knit cap pulled down over your eyes
The audiobooks I buy are never first-time reads - only rereadings of books I know well that I find intoxicating.
Walkman was the precursor to the cell phone, in terms of your strategy for getting through the urban landscape and the modern experience. Insulate yourself from it with your own soundscape.
Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public.
Maybe storytelling belongs in audio - a short story is the length of a commute. That can be a sacred spot where you have the ear of the reader without having to compete with other media like games or TV.
