Audience Capacity Quotes

People underestimate the hip-hop audience and the capacity to understand politics when it's part of music.

I remember, after the Pamela Anderson roast, being told, 'You're sold out - you can add two more shows.'

My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.

I've been to Vector Arena, and I've seen it. I've stood in the middle and just appreciated the space, appreciated the volume of the place.

There's a club called Headliners in Chiswick where I do a lot of my warmups for tours. For me it's a nice 'big-small' room: it's a 300 seater, which feels small but you can still get big laughs.

We'd love to be playing to five or six thousand.

I have no clue. I just know I would want to play the least amount of shows that the most people would be able to come to.

A modern audience is capable of processing just so much information because they're used to visual media that's on overload.

Theatres that are stuffed to the gunnels leave me feeling rather peaceful - that's when things are going right. When you're playing to 40% and trying to make the budget, it's more difficult.

We can go to Australia and play to 30-to-40,000. We can do that in certain places in the States, but not everywhere.

My preference is 3,000, maybe 5,000-seat venues.

When I started, there weren't any arenas. There was football fields, but they would only hold three or four or five hundred people at the most... We played a lot of high school auditoriums and things like that - a lot of churches... but boy, it has changed.

In our business we don't mind if a price of a ticket goes down; our job is to get as many bums in seats as possible.

I think audiences can deal with these mature themes.

I'm not Kathy Griffin. I can't do 1200 seat venues. I need 300, 400 something like that.