artist's intention Quotes

Art is not in the ...eye of the beholder. It's in the soul of the artist.

I don't want people buying my records for this summer's hit. I want people buying them because they're interested in what Ministry will have to say in the future.

Art is a severe business; most serious when employed in grand and sacred objects. The artist stands higher than art, higher than the object. He uses art for his purposes, and deals with the object after his own fashion.

If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.

A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist’s responsibility, but I don’t agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing.

When you listen to an album, it shouldn't feel like, "That's the girl song," "That's the club song." I shouldn't know what you're thinking while you're making the song. I don't want to know what the artist is thinking.

I don't ever want anyone to hear my music and look at it as just gratuitous violence, or hustling and money-getting - I try to tell the perspective of the woman, the man, the mind, why.

The motif must always be set down in a simple way, easily grasped and understood by the beholder. By the elimination of superfluous detail, the spectator should be led along the road that the artist indicates to him, and from the first be made to notice what the artist has felt.

I don't understand art-speak. My pictures are big doodles. I'm amazed what people come up with when they look at them. There's one of a figure with two heads that somebody thought must be a comment on the state of matrimony. None of it is a comment on anything.

I'll take anyone I can get that will pay money to see me. And if there's more of me in the world, people who think they're good people and comedians who have a good message or whatever, then that's great. If there's some kind of balance there that's good.

I always knew I was going to make a record called 'The Foundling.' Since I picked up a guitar, I knew it.

I don't really like to talk about what my songs are about.

If the artist's will is not strong he will see all kinds of unessential things.

People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist’s work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I’m concerned, even titling a work is an unnecessary concession.

I think my painting is so autobiographical if anyone can take the trouble to read it.

I want people to love me for my music.

I just wanted to write the songs. I never wanted to sing them.

My music is some of the most honest music that's been released and I think that's why people buy it.

The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.

A lot of guys really I get the feeling don't care whether you like their show or not, you know. I want people to enjoy what I do, and understand what I'm doing is for their enjoyment, it's all I can ask for.

You always gonna feel me. That's my main thing. When I'm speaking in my music, you gotta feel me.

When an artist paints a picture he does not want you to consider his personality as represented in that picture - he wants you to look at the beauty of that picture. No one cares who has painted the picture as long as it is beautiful.

I still wanted to see the family come back to life. And when that didn't transpire from the music, it kinda made me feel like I was bein' taken advantage of. I thought, when people heard '8 Diagrams,' they'd be like, 'Oh, Wu-Tang is a wrap now - they've lost it.' And I know that we didn't lose it.

I don't know why, the very first word on my very first record is 'Jesus.' I still invoke him as an entity to reckon with.

Any song I do, I put my heart and soul into and, as an artist, you can only hope it makes other people feel the way you feel when making it.