I think the rest of the world has a very wide, very slow kick. It's very simple, breaststroke. People think it's highly technical. But the more narrow, more effective and quicker you can execute it, the faster you are going to go. There's less drag, basically.
I don't shoot shots just to shoot shots. I'm always working in a rhythm, working on mechanics. I've got a checklist of the things I need to do with my form, my legs, my arms, all of my mechanics.
Prayer moves the arm that moves the world.
I'm really good at solitaire and I can turn my arms in full circles.
As a tall guy, you always think the over-the-top pass is the easiest way out. But sometimes you can fake that, and throw it under their arms.
Mel Gibson taught me to run properly. You've got to pump your arms and move your feet faster, or you just don't look cool.
The serve, I think, is the most difficult, you know, in terms of coordination, because you got the two arms going, and you got to toss it up at the right time so.
1988 Olympic Champion Brian Boitano was famous for doing a Lutz with one arm over his head. And I wanted to build on that.
Golf is played with the arms.
Very often, you did something slow with your arm, for example, and something rapid with your feet - but the arm had to do something large against this - and this set up a kind of opposition.
When I throw the hook, I think of my arm as a whip with a rock attached to the end.
Two minutes later the right arm was pointing normally and the reaction to the left appeared. The patient made no complaint at all about the experiment.
My style is bad white-boy dancing. I can do swing a little bit, but nothing beyond that. My solo dancing is sad. I use my arms, badly.
In the unbending of the arm to do the deed there is experience worth all the maxims in the world.
When someone is playing drums, they aren't actually moving around a space; they're just moving their arms and limbs. They're stuck behind the drum set. So to film someone playing the drums and make it feel as kinetic as a car chase or a shootout or a battle scene was the challenge.
I flailed my arm in a throwing motion before I could even walk.
The key to building long muscle as you swim is stretching arms far ahead of you in the water, sort of like a swan.
Countless hours of physical therapy - and the talents of the medical community - have brought me new movement in my right arm. It's fractional progress, and it took a long time, but my arm moves when I tell it to.
In particular, this arm has 7 degrees-of-freedom that makes the overall motion of the arm very complex so that, before you start driving the arm, you should be very familiar with all the position it can get.
With ballet, you're really focused on the inner thigh and butt and just lifting and lengthening everything, including your arms. You're not using weights, but holding up the weight of your own arms is a challenge.
Sometimes, when I break my hands, I kind of go too far behind my body, and what that will do, wherever my right arm's going to go, my left arm's going to go.
Can you please crawl out your window? Use your arms and your legs, it won't ruin you
By the end of 'Swan Lake,' you know how there's all the corps on stage, and she keeps running in the back, doing arms? You can't feel your arms. You're just like, 'Ow.'
