I like bawdy humor. I love bawdy humor, but not dirty humor.
I'll come out and say it because no one else will: French gross-out humor is the best. Particularly the illustrated variety.
I don't care if my jokes are appropriate for a kid.
I've never been a shirt-off, pants-off kind of comedy guy.
I think obviously the 'Harold and Kumar' stuff is trying to lean head first into the raunch.
I like grown up comedy.
I like grown-up comedy, where it's about character and attitude and life as opposed to obvious gross-out and jokes.
My act is a little raunchy. When people come to my club, I have to warn them it isn't Robert from 'Raymond.'
More than an adult comedy, 'Great Grand Masti' is a naughty horror comedy, more on the lines of 'Masti.'
I have a spot on the horizon that I'm trying to hit: To write and direct adult dramedies. First of all, there's really not a big market for them. Second of all, it's like cracking a diamond. You've got to do it right.
A lot of people are doing television now. Great, legendary actors are doing movies on cable and stuff now, and you can't blame them, because they're still doing adult dramas and adult comedies on those stations.
The move into adult comedy wasn't so much moving away from 'The Wonder Years' as expanding myself as a director.
There is a lot of rubbish written about toilet humour - people saying it is childish and pretending it is beneath them - but there is no doubting the effectiveness of a really good willy gag.
The comedians I always loved and respected the most were always filthy degenerates.
I get a lot of dark scripts now. I don't wanna be stuck doing movies like American Pie. For someone my age, once you get started doing them, it's hard to get out.
I'm interested not just in projects that I'll be starring in, but producing film and TV that's really quality and great for adults; and when I say 'great for adults,' it doesn't mean without humor, because I'm also interested in doing comedy.
I always wrote risque comedy and crude comedy.
The desire to work with Burrows-Charles was really to change NBC's identity, to say, "We want to be in the sophisticated-adult-comedy business."
