Nina Tassler Quotes

If you make compelling television, they will come.

We founded RocketJump for two reasons: to provide quality entertainment and to reach as many different audiences as possible.

To me, mass media is when you are able to use a platform to reach an audience on a large, global scale, and I think YouTube has certainly achieved that and is still finding ways to bring a wider range of content to its audience.

The makers of entertainment must try, in our field, to be honest and grown-up.

The BBC produces wonderful programmes; it also produces a load of old rubbish.

Every show I've ever, you know, produced, essentially it's the show I want to watch myself.

We still have a tradition certainly in English television; it's faded a bit in the last five years, but we still have a tradition where the important thing is the quality and the challenging nature of the programming.

I really have to say 'thank you' to our fans, because I think it's difficult for European viewers to find and watch Asian movies, and I hope you enjoy our films.

Never underestimate the intelligence of the audience; make good programmes, and they will come.

Put simply, my vision for AOL is to build the largest and most sophisticated global advertising network while we grow the size and engagement of our worldwide audience.

Americas are, for a variety of reasons, the most adept at producing the kind of entertainment that delivers easy satisfactions.

What's blessed about my life is that I have been able to connect with the global audience on a regular basis. I am thankful for everybody's love, and I reciprocate that, but I also have to deliver on every occasion.

What we are doing in the United States is we have launched a television station for mainstream audiences, which means whether they are native Americans or people living from any part of the world.

Television offers a range and scope, and a degree of creativity and daring, that the bottom-line, global-audience-obsessed, brand-driven movie industry just can't compete with.

I try to work on shows that I would want to watch.

I think listeners are hungry to hear quality.

I want my films to be seen everywhere.

When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.

I have a very awesome seat in the house every time I play. When the lights come up, and the sound turns on, I'm playing for a roomful of human beings. And geographical and political borders just all dissolve. And we unite through rhythm inhalation. I mean, I'm so grateful that, you know, audiences around the world connect to English music.

It's a privilege to present 'Late Night Live'. No radio program, anywhere on Earth, casts a wider net.

My job was to find interesting material that would give us a quality television show.

I'm not setting 'Jericho' up to be anything other than what it is, which is, you know, a piece of good, well thought-out, well put-together TV and entertainment.

If people are given quality stuff to watch, they'll watch it.

I want to make films that cater to the world audiences.

You want to work on something that people watch and that people like.