Jimmy Iovine Quotes

I now have a home recording studio, which I can operate entirely on my own, as well as a portable version of the same which allows me to record anywhere I like and simply swap out the hard drives for use in the home studio.

Recording studios are interesting; a lot of people say - and I agree - that you should have a lot of wood in a recording studio. It gets a kind of a sweeter sound.

I've got a studio at home, and I'm always recording.

I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.

The room is the most important thing about recording.

I'm always working on new songs. With the technology these days, any idiot can record on Pro Tools on your laptop. All you have to do is plug a microphone into the input jack and anybody can have their own recording studio. So I'm always down in my basement, singing along to riffs or whoever I'm collaborating with.

When I first started recording music, I was actually singing about microphones, equipment, recording.

Being able to have a home studio is the greatest thing ever.

I lived in a pretty big house, and we had a guesthouse, so when I was 14, I built a studio in my bedroom, which was pretty big. It was two rooms connected, so I turned the second into a studio and ran the mic in my closet.

When I first started recording music, we would record in the closet with socks on the mic.

The only technical things I know are treble, volume and reverb, that's all.

Somehow, magically, I've become an electronic musician, and I have a recording studio that looks like the bridge of the Enterprise.

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

I started a recording studio. I started producing people and doing remixes.

I've not really spent much time in proper studios. The room itself where you're recording, and how you live while you're there is what appeals to me.

I don't have a formal home recording studio, but I can record tracks on my computer upstairs in my office.

About two months into the Whisky, I borrowed some money and rented a remote recording truck.

The thing that's cool about the recording booth is that it's so perfunctory, so cut-to-the-chase.

When we recorded our first album sixteen track machines were the thing.

I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.

I don't like recording studios - except my own, which is just a little room above the garage.

The most I ever spent on technology is building a studio - I built one at home in Los Angeles. I can't tell you how much exactly, but the whole process is very expensive.

Yes, we record practically everything on Pro Tools.

I also have a recording studio that I use to produce bands.

I've been in a recording studio enough times to know that it is not the best place to multitask. Doing a couple of takes of a song and running out to check your email to talk to someone about video production really is not good.