Creative Space Quotes

My place in London is very small, so a piano would take up a third of the room. I leave home in the morning when I'm there and go to my studio. I close the door, and it's soundproof. There's no phone or TV or computer, and I can work uninterruptedly. That has been a huge advantage over the years.

I built a studio in L.A. for me and my brother to just write every single day. And it's been great, man.

Obviously there's not much options when you're a cartoonist - you pretty much either work at home or rent an office I guess, and working at home just seems easier.

I have a studio in a barn at home - we rehearse there, we film there and we record there. It's fun to hang out with my guys and see what comes out next.

If I had a place with a studio where I could paint I'd be happy.

I keep a hotel room in my town, although I have a large house. And I go there at about 5:30 in the morning, and I start working. And I don't allow anybody to come in that room. I work on yellow pads and with ballpoint pens. I keep a Bible, a thesaurus, a dictionary, and a bottle of sherry. I stay there until midday.

Children are so talented. Little children, until about the age of 10 or 11, are just little artists. They need to be given the time and the space and the materials to do their work. That's all they need.

I used to do everything to keep a wall up around myself and keep my life quiet so that I could write.

When art find no temple open, it takes refuge in the workshop.

My studio was on 9th Street between University and Broadway.

Working at night helps people focus in on this crazy little bubble you've created, wherever you are filming. It doesn't matter where the location is, the world doesn't exist outside this bubble. And everyone is trapped inside.

A creative space is an important thing. There are so many studios that feel like doctor's offices in Nashville. I couldn't write there.

I work for ABC. If the thing that ABC is paying me for is storytelling - not to make sure that a costume is exactly right or all those other things - then it is up to me to find the most creative space possible so that that function of my job can happen.

I do love being in my studio. Especially at night.

I've been in LA for 5 years now, and it's been very freeing creatively.

I know it is crazy, but I want to create a place where people can come in an organised way to think differently, to think their own thoughts.

My greatest strength as a child, I realize now, was my imagination. While every other kid was reading and writing, I had seven whole hours a day to practice my imagination. When do you get that space in your life, ever?

What I love about L.A. and Washington, D.C. is that they're almost the opposite of each other. L.A. is a very creative space while D.C. is a very cerebral space. So, they're the ying and the yang in my world. I like them both for their own reasons.

Edinburgh is where I started. A lot of the remixes I made were done in my room there, and it was a good place for me to make music.

The stage is a place where I can be wholly myself. Even though you're in front of people almost to be judged, it is a place without judgement.

I have my own studio. I'm in it all the time.

I always prefer to work in the studio. It isolates people from their environment

I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no.

The studio is meant to be always a place where, first of all, they can be out of spotlight, and second, where they could work with a peer group on parts that they might not have played otherwise.

Something I've really been wanting to do, ever since 'Six Feet Under' ended, was create my own version of this idealized writer's room as well as the ideal family.