Ray Bradbury Quotes

You can't learn to write in college. It's a very bad place for writers because the teachers always think they know more than you do - and they don't. They have prejudices. They may like Henry James, but what if you don't want to write like Henry James? They may like John Irving, for instance, who's the bore of all time.

The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.

I think that's more a reflection of the fact I've never been a student of any particular school of writing, or even listening.

John Dos Passos, Raymond Carver, Flaubert and William Maxwell were all very influential when I first started writing. Now, the writers I'm most interested in are the writers who are most unlike me: for example, Denis Johnson.

When aspiring writers ask me about how they should target their writing, I tell them to pay no attention to that kind of thing. It will restrict you. You will end up falling into stereotypes in an effort to tailor your work toward a perceived genre category.

I love to write. I used to be a math teacher. And I like the idea that other people could write about the same subjects, but no one would write it just the way I do. It's very individual: a child could write the same story as somebody else, but it wouldn't come out the same.

I remember when I was in school I had this teacher give me this E.L. Doctorow quote: They asked him how much historical research he does for his books and he said, 'As little as possible.' So I try and adhere to that.

Reading Stephen King's book, On Writing, was like being cornered and forced to have a long, drawn out mental enema.

I enjoy, in the summer, getting back to writing in my own voice.

I was a schoolteacher; I taught seventh and eighth grade, and I tried to write fiction on the side.

I'm not a writer who teaches. I'm a teacher who writes.

When I was in high school, I remember writing a research paper, and the teacher said I should write about Langston Hughes. I felt as if I was the only black dude who didn't like Langston Hughes. He didn't seem as dark and layered as someone like Flannery O'Connor.

Creative writing teachers should be purged until every last instructor who has uttered the words 'Write what you know' is confined to a labor camp. Please, talented scribblers, write what you don't. The blind guy with the funny little harp who composed The Iliad, how much combat do you think he saw?

I always think its easier for me to write without thinking about the strict meter that's required for songs and song structures and things like that. It's much easier to just write on the page.

If you want to write anything that works, you have to go with the grain of your talent, not against it. If your talent is inert and sullen in the face of business or politics...but takes fire at the thought of ghosts and vampires and witches and demons then feed the flames, feed the flames.

If you want to be a writer, all you need is a piece of paper and a pencil, and I had a manual typewriter. It doesn't cost money to write. It costs money to make art. So I would just write. I would hand out stories in the classes in high school. And the teacher would say, "Whatever you do, don't become a writer."

When I was 16 I started publishing all kinds of things in school magazines. My main feedback came from my English teacher, Miss Bessie B. Billings, who said, 'I can't understand this at all, dear, so it must be good.

I don't look at scripts. I just write them.

I'm not interested in writing for adults. I like them as people! I don't like the way they publish books in that world. Nothing ever gets a chance.

All these teachers and [screenwriting] books mean you see movies that have been worked over by more committees wielding more rules, that all originality and authorship is lost. That's why you're seeing superstars like Brad Pitt in THE FIGHT CLUB and Tom Cruise in MAGNOLIA. They're desperately searching for people writing and directing off-formula movies.

Where would David Copperfield be if Dickens had gone to writing classes? Probably about seventy minor characters short, is where. (Did you know that Dickens is estimated to have invented thirteen thousand characters? Thirteen thousand! The population of a small town!)

In school, writing was the only thing that really came naturally to me, but it wasn't until college that I realized that I could do it for more than just fun.

You can't beat a good sonnet, and you can write a sonnet without being married to the damned thing.

I'm my own "ideal reader" in the sense that I write novels that I would want to read.

You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do-and they don’t. They have prejudices.