LAURENCE YEP

My mother was actually born in Ohio but raised in West Virginia where her family had a laundry. She has a West Virginian accent. My father was born in China, but he's the son of an American citizen. My paternal grandfather was born in San Francisco in 1867.

The ku-magic is a very ancient magic. It predates Taoism, Buddhism and Confucianism.

I was surprised at how cosmopolitan the Gold Rush was: prospectors were of all races, genders, and countries. I was equally surprised at how fast gold prospecting became big business.

As a child growing up in San Francisco in the 1950s, I sometimes met insults when I ventured outside of Chinatown or my neighborhood. I have even been spat on and threatened with a knife. I could have let my anger fester until it became hate. However, I realized they were isolated incidents, and I simply got on with my life.

Just because there's tarnish on the copper, doesn't mean there's not a shine beneath.

I get the ideas from everything. Children sometimes think you have to have special experiences to write, but good writing brings out what's special in ordinary things.

You can learn to change the world or go on being changed by it.

I only knew that there was a certain rightness in life--the feeling you got when you did something the way you knew you should.

Sometimes it's easier to be as bad as they expect you to be.

For me writing is a long, hard, painful process, but it is addictive, a pleasure that I seek out actively. My advice to young writers is this: Read a lot. Read to find out what past writers have done. Then write about what you know. Write about your school, your class, about your teachers, your family. That's what I did. Each writer must find his or her own kind of voice. Finally, you have to keep on writing.

I was born in San Francisco's Chinatown in 1948 but grew up in a black neighborhood. During elementary and middle school, I commuted to a bilingual school in Chinatown. So I did not confront white American culture until high school.

As a child growing up in San Francisco in the 1950s, I sometimes met insults when I ventured outside of Chinatown or my neighborhood. I have even been spat on and threatened with a knife. I could have let my anger fester until it became hate. However, I realized they were isolated incidents, and I simply got on with my life.

I started writing at the age of seventeen because I had a teacher in high school who said that we had to get something accepted by a national magazine to get an A. The teacher later withdrew that threat, but the writing bug bit me.

When something horrible is done to you, the natural impulse is to strike back.

My grandmother, my mother and my aunts and their friends were all of southern Chinese ancestry, and they were all strong figures. Though if you asked them who was the head of their families, they would have said their husbands; and yet it was the women who ran everything.

At 18, my first short story was published - I was paid a penny a word by a science fiction magazine. I continued to write, and five years later I published my first novel, 'Sweetwater.'

My ancestors come from a part of southern China where most villages can trace their roots back at least a thousand years or even more. However, as a typical American, I have lived in four cities and moved at least seven times.

Most of the fiction on the California Gold Rush makes it sound like one grand, boyish adventure. However, when you read the real history, you realize that it wasn't that way at all.

My mother was actually born in Ohio but raised in West Virginia where her family had a laundry. She has a West Virginian accent. My father was born in China, but he's the son of an American citizen. My paternal grandfather was born in San Francisco in 1867.

I like all kinds of stories, and I usually work on several stories at once. When I run out of gas on one, I start work on the other.

The ku-magic is a very ancient magic. It predates Taoism, Buddhism and Confucianism.

I was surprised at how cosmopolitan the Gold Rush was: prospectors were of all races, genders, and countries. I was equally surprised at how fast gold prospecting became big business.

While I was in high school, I discovered and began writing science fiction.

The southern Chinese are a mixture of the Han, or northern Chinese, and the local tribes, some of which allowed women a great deal of freedom - much to the horror of the Chinese who were good Confucians. As a result, the folklore from southern China has strong females; and I found that the folktales mirrored my own experience.

I get the ideas from everything. Children sometimes think you have to have special experiences to write, but good writing brings out what's special in ordinary things.

In 1966, I attended Marquette University and graduated from the University of California at Santa Cruz in 1970. I received my doctorate in English from the State University of New York at Buffalo, where I wrote my dissertation on William Faulkner's early novels.

Just because there's tarnish on the copper, doesn't mean there's not a shine beneath.

Kindness comes with no price.

I only knew that there was a certain rightness in life--the feeling you got when you did something the way you knew you should.

Sometimes it's easier to be as bad as they expect you to be.

You can learn to change the world or go on being changed by it.

For me writing is a long, hard, painful process, but it is addictive, a pleasure that I seek out actively. My advice to young writers is this: Read a lot. Read to find out what past writers have done. Then write about what you know. Write about your school, your class, about your teachers, your family. That's what I did. Each writer must find his or her own kind of voice. Finally, you have to keep on writing.