Jet Li Quotes

I love games like 'Flower,' for example - I thought this was amazing. It's great, it's new, it's different, and it's invented something that didn't exist before.

I'm fascinated with video games, though I can't really play them. It's definitely an art form that intrigues me to no end, though.

I liked playing video games because I felt like I was inside of the story in a way that I didn't feel when I was just watching something. Any chance I could get to step into the shoes of another person, I would take. I couldn't get enough of stories.

That's really one of the things I love about video games. It's a whole new world every time you start.

Sometimes we need to step back and understand the power of video games. 'Dear Esther' does just that. Through visuals, audio, and narration, this title weaves a story around the player as they explore different areas in the game.

If I have my way, I want to go start making really interactive television. Stuff where you can sit and watch real actors do a real series and they can get into some kind of gun battle and all of a sudden your television prompts you to pick up your controller and all of a sudden, you're playing a first-person shooter.

Game designers are obsessed with emotion. How do we create the emotions that we want gamers to feel, and how can we really make it this intense, emotional experience?

As a genre, videogames take our minds on journeys, and we can control and experience them much more interactively than passively - especially when they are well-designed.

With a lot of films, people are sitting on the outside looking in, but I want the audience to get a bit more intimately involved with what's going on, so that they maybe can experience it a little bit more intensely.

I don't think as a creator that I could create an experience that truly feels interactive if you don't have something to hold in your hand, if you don't have something like force feedback that you can feel from the controller.

Sometimes, when you watch people play a video game, they seem lost in this wormhole, or in a trance.

I like a movie that the audience actively has to participate in and not just casually observe.

Interactive storytelling emphasizes a personal connection with the characters. It is a powerful tool that can draw you so deeply into the world of a story that you lose sight of it as a story. You think you are there - at least, if it is done right.

Games have grown and developed from this limited in-the-box experience to something that's everywhere now. Interactive content is all around us, networked, ready. This is something I've been hoping for throughout my career.

VR should be more emotionally involving, but that doesn't happen automatically by just taking a VR camera and sticking it onto what would be a traditionally blocked scene for 2D.

I think that first-person shooter is a stable genre that's going to be here forever, just like there are going to be driving games forever. There's something just intrinsically rewarding about turning around a corner and shooting at something.

It is challenging to communicate attractions which are hard to understand unless you actually touch and experience them yourself. This is especially so with Wii U because it has unprecedented entertainment potential.

The consumer likes having a brand-new experience and reliving it over and over again. If you create the right type of experience, that also happens in video games.

With video games, imagine it's not locked - it's a TV show people can reach in and do this and do that, and you need to have dialog for all of that stuff.

It's always fascinating to me and blows my mind whenever I'm in a video game because I am such a big video game fan at heart.

I grew up playing games like 'War Zone' and the old 'Smackdown,' so I'm very excited to see myself in a game.

Getting the player emotionally involved is the holy grail. We try to make players forget they're playing a game. We want them to live the experience and suspend disbelief.

We believe a truly new kind of game entertainment will not be realized unless there is a new way to connect a player to his game.

I used to play 'Grand Theft Auto' when I was an early teen, between eleven and thirteen.

I appreciate the craft in 'Bioshock' and 'Resident Evil,' and I've played all of them. But I also learned that I don't like playing them because I get really scared.