Jean Paul Gaultier Quotes

My mother worked in fashion design and she used to show me all of these looks. She tried to get me to wear fitted jeans in high school. This is when big jeans were popping.

I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement. Clothes - it's a different story. There are a million things I'd rather do before designing clothes: directing, landscaping.

If I can get someone to put on a dress, walk in a room, have them feel great, and have everybody think that they look lovely, too - that's my job, as far as evening wear goes.

I know I wasn't allowed to go to fashion school; I can't cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh...they all came down to [Vetements/Balenciaga designer] Demna Gvasalia's studio that night and hung out.

Because I worked in fashion, I know that I like fashion. Haute couture is a form of art that I can appreciate. I'm definitely not someone who wakes up every day and thinks about what I'm going to wear, but on the red carpet, it's reflective of the mood I'm in, or the movie I'm going to represent.

What I love in fashion is to tell a story through a creation.

Everything I have is ready to wear, but I have the ability to have different options within the same brand. I have the Theyskens' Theory collection where it's a personal approach to how I build the collection where I fuse more fashion-y ideas and it has my name on it. So it's really something very research- and labor-intensive. And then I have the Theory brand where I infuse all points of view about fashion at large, and it's more global. It's really about making something succeed. You have an instant relationship with stores, and with sales teams, and people that are in the place.

My first girlfriend, when I was about 18, was a fashion designer, and my sister was a fashion designer as well. I've always been into shopping, and I've always been very aesthetic, in a sense.

It's true that fashion is looking at fashion all the time, and this is quite boring.

In fashion we're lucky, we make dreams come true.

The nice thing about the fashion industry is that you're constantly working on something new.

I don't see myself as a pure fashion designer sending dress after dress down the runway but about wanting those watching my shows to aspire to a certain lifestyle.

I am not a good professional of fashion. I am not an expert about how clothes are constructed or the history of fashion. I never start with fashion. I always think of the girl and her personality - because all that matters to me when you look at a page is, "Do you want to be that girl?"

I have always felt my role as a designer is to do the very best I can for a woman to make her look her best. Fashion is only fashion once a woman puts it on.

You know, I used to not understand fashion, a lot of it, but I completely understood being a playwright or a screenwriter and suddenly having an actor say your words and making them come to life. That I can understand. Finally, I'm starting to understand this.

Fashion is one of the most beautiful forms of art we have. It's a form of art that every person gets to possess and create for themselves.

There are so many fashion shows during fashion week, and the fashion show has almost become theater. It's all about the wow factor. And it's easy to make a name when you're shocking people all the time. But when you just make really, really great clothes, it can be difficult to get press and build a brand. What you do when you pare things back and make something timeless, though, is build a foundation to have a longer career and a stronger clientele.

I never knew that I would be actually designing clothes or as into fashion as I am now.

When I started in the league, I went to a tailor and told him I wanted long t-shirts. But they were like, "You know, you don't know what the trend is." I was like, "Look dog, I don't care about trends or your fashion sense. If I'm going to pay you money, this is where the shirt is going to end."

Very few designers today design - it's very important to be able to do your own sketch on paper and then explain [your vision] to the fabric cutters. Instead, lots of designers drape - it's the new way.

I work in fashion because the world is such a heavy place that I need to be in this industry that fights for five hours to get a dress.

Working with Moschino, a real high fashion Italian brand, maybe I'm under tighter deadlines, but sometimes under tight deadlines you do your best work.

Sometimes I get it right and I sometimes I get it wrong. But fashion is all about having fun. I think fashion has been hijacked by the fashion industry creating rules on what one should wear and I feel like breaking the mold and seeing that the world won’t crumble.

Fashion is not just about what we wear, but...fashion is also a business. It is an art, it's a career that involves science, engineering, accounting and so much more. People can learn about the math behind Charles James' designs, and think, 'Maybe I should pay closer attention to geometry this semester'

I did not go to fashion school. I arrived in New York in 1986 from Kansas City and was working as accessories editor for Mademoiselle Magazine. While working at Mademoiselle I noticed that the market lacked stylish and sensible handbags, so I decided to create my own.