Spencer Boldman Quotes

When I was doing the first 'American Pie' movie, I was just happy to have a job. We had a good time, and it was a great group of people, but like any project that I've worked on in my career, you just put your best foot forward, and you're all working together to make the best movie possible.

I really like working. I can't think of a job I didn't like. I was in an Alvin and the Chipmunks movie, which is not my idea of folk art; but I really enjoyed making it, and everyone was really nice.

You just see a good project and want to be involved in it, and that's what 'Dexter' was.

And I just want to work with good directors and good people.

As long as people want to see me in movies, and as long as I find it interesting, I'll keep working.

My passion is becoming involved in good work, whether that means as an actor or writer or director or producer or all - that is not as important to me.

I really enjoy working with people who have come into this industry for what I think are really admirable reasons. People who really want to tell brilliant stories and do it in the most effective way possible.

I would love to do more films. I really like the whole process of doing that. I like how close you become to everybody.

Filmmaking is a miracle of collaboration.

'The Waterdance' was made for all the right reasons. Everybody that was involved in the film gave it their all.

The thing about this business is that you always end up finding these amazing stories and these amazing people who make amazing films. I just want to work with good people and keep challenging myself with different kinds of characters.

We work in an environment where your options are to do, you know, Batman 10, so when you get to do a movie that's a really great film like this, people really step up to the plate and enjoy it.

I think any actor just wants to keep working, and for me, I want to work on projects that are with fun people.

Making a film - particularly what I think is a good film - is the result of a team of people, and the end result has many, many hands on it.

I am delighted just to work on a good movie, no matter what the medium is.

Hollywood is a deeply odd place. There are so many factors that have to go perfectly, so many schedules and visions that have to snap together for a film even to be made, much less be good.

Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.

I love actors. That's my bread and butter, and I got to work with some amazing ones on '12 Years'.

A good director has to be a captain - he has to work with a lot of people every day.

I go into meetings with some film-makers and they literally have nothing to say, they're almost bored by their own material. I'd rather work with people who are very passionate and very animated about what they want to do. People who just want to tell stories.

So I've had really great assistant directors for my last seven movies.

I've always said that if you can get the best people who are good at what they do, but more importantly are passionate about what they do, you'll succeed.

I love Rob Zombie - I'd love to work with Rob Zombie or John Cameron Mitchell.

Films are not mathematics - that's the first thing you need to understand. At least, that's how I feel. They are not words on paper. Films are made with people, with teams and with individual bundles of creativity coming together to fulfill the vision of an individual who is the director of the film.

I just make good movies. That's the way I thank my fans.