Neha Dhupia Quotes

We considered all sorts of names - everything from Tarantula Bomb to Superego to Section 8. Some of them were already taken, and some of them were kind of campy sounding. So we just decided to stick with Stone Sour. After all, what's in a name?

I mean, artistic processes are all about making choices all the time, and the very act of making a choice is the distilling down and the getting to the core of what it is that you care about and what you want to say, really.

I don't do any research. It's all about gut. Editing - it's always about gut.

That is the artistic task: To choose the best from these solutions.

I haven't made up my mind about doing anymore Landover books.

I don't really get into a big intellectual analysis of why I am going to do a certain script or not.

Once you have made the decision to do the film, once you have identified the desire and all the deep and personal, intimate, artistic reasons why you want to do the film, then it's more a matter of how to do things.

I would sort out all the arguments and see which belonged to fear and which to creativeness. Other things being equal, I would make the decision which had the larger number of creative reasons on its side.

We toyed with the idea of making it a double album, but I think that would only have confused everybody even more, so we decided to stick with the songs we picked.

The lessons of slushing and editing build up over time, and you're not necessarily thinking about them while you're working, but they're in the back of your mind, probably influencing your choices.

At some point in the idea process, I simply wear myself down and force myself to choose. But here's the thing: Once I do choose, suddenly all the other possibilities wither and die, and thus I never have a backlog of well-formed ideas waiting for me when my latest book gets finished.

I always put myself in the audience's place and see if, as a viewer, I would want to see the film. If yes, then I want to know who's directing it, what my character is, and if it's impactful. If all these points fall in place, I'll do the film. If not, then I won't think twice before saying no.

It is a long story how we finally ended up with the title simply being 'The Legend of Korra,' but in a poetic way, I think Korra's big Type A personality willed it to happen!

After I met Ajay Bhuyan, we thought of making the English TV show 'Prison Break' as a Telugu film. Ajay put it all down, but somehow, we felt it would not work. Then 'Dhada' emerged.

I submitted a bunch of names. Nia is, like, a Samoan girl name that a lot of women have. Jax is from 'Sons of Anarchy.' I was super into Jax, so I threw the name Jax in there, and it came about that way.

My way of deciding whether a film is worth doing is if you can get through it all in the first read.

A film, I feel, is a state of mind. A film eventually comes from an idea: based on an idea, you make a decision, and once you make the decision, you keep comparing everything to that, but don't question the decision itself.

When Raj and DK came and narrated me the script, the title was something else. But in conversation, I told them if we can name it 'Stree'. In a way, I was the one who decided the title. I found that one word very catchy.

There's nothing worse than a director that keeps changing their mind. Because, unlike the directors I work with, I'm not decisive at all.

Really, the moment you have any idea, the second thought that enters your mind after the original idea is, "What is this? Is it a book, is it a movie, is it a this, is it a that, is it a short story, is it a breakfast cereal?" Really, from that moment, your decision about what kind of thing it is then determines how it develops.

I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.

Names which tell stories have been worth millions of dollars. So a great deal of research often precedes the selection of a name.

If it's something I feel I can do alright, I like being in those, and some that I think Rob Schneider and David Spade would be funnier at than me, I tell them to do it. I don't have any clue how we decide. There's this thing, this "Click", actually, one of my friends called me up, my partner told me about this idea that Steve Koren had. Steve Koren, by the way, the guy who wrote it with Mark O'Keefe, Steve Koren I've known since I was 22. He was a page at Saturday Night Live.

I may very well move in. I just don't know. I can't sit here and know what pictures I'm going to take.

We came up with the name and logo pretty much the same way we do everything else.