Hubert de Givenchy Quotes

Tailor Made will help Ferrari's clients tailor their cars in a very personal, specific way. It's a bespoke service, like visiting Huntsman or Anderson & Sheppard or whoever your favourite Savile Row tailor is.

Haute couture consists of secrets whispered from generation to generation, If, in ready-to-wear, a garment is manufactured according to standard sizes, the haute couture garment adapts to any imperfection in order to eliminate it.

The ultimate art form of fashion is couture. I completely geek out when it comes to couture. It shows fashion as it used to be. I don't know how many people can actually afford the clothes, but in a way, that's beside the point.

I am a person who holds the aesthetic high. I have suits made in Savile Row.

I even do my ready-to-wear samples like couture.

The Royal Family doesn't go out shopping for their uniforms: they've got some guy sewing on all the ornaments in-house. You could say I've got my own in-house team as well.

Dior Couture is like art - they are the art pieces of a fashion house. Each piece is unique and made by hand.

My favourite store? Seize Sur Vingt in New York. They make most of my suits, and they are really cool people.

I love the opportunity to get properly dressed up. I've worn three Lanvin dresses, and they've all been a dream. They're so well made, with the most beautiful craftsmanship. I don't tend to go with things that are ornate - just beautifully made pieces and some classic jewelry. Let the work speak for itself. I love that.

My clients can choose their own colours and fabrics to have something unique in their wardrobes.

When I started in the league, I went to a tailor and told him I wanted long t-shirts. But they were like, "You know, you don't know what the trend is." I was like, "Look dog, I don't care about trends or your fashion sense. If I'm going to pay you money, this is where the shirt is going to end."

I love cashmere. For casual, I like Juicy Couture. I love the beading in Badgley Mischka. I like Dolce & Gabbana. There's such a lot to choose from.

I'm kind of pleased with myself that I've got a tailor on Savile Row. I'm 68 years old. I deserve it.

I think my style is definitely urban chic. I love mixing street style with the high-end luxury brands, like Gucci, for example. Quite fun.

I like doing slightly masculine, Savile Row tailoring. A nice jacket. Wearable - it's almost a dirty word in fashion, wearable, but that's what I do.

I wore Armani Prive to Cannes, and that was incredible. The craftsmanship is something I never understood until I wore it: the structure, the integrity of the fabrics, the colours, how things photograph.

Poiret made clothes for individual customers, but I wouldn't like to make a dress just for its own sake.

A bespoke shirt is one of the true luxuries that you can acquire. There's nothing better than a fitted shirt. Once you've picked up your first one, you'll never stop buying them - providing you can pay for it.

So Colleen Atwood introduced me to Armani for the fabric and the dyes - what made Armani, Armani, beyond his motion-picture credentials. It was Cerruti after that. And then Zegna.

I've worn over 6,700 gowns. They're all borrowed gowns, designer samples.

I am very happy to design haute couture. It's a love story between couture and me.

Hugo Boss is my kind of label.

A woman and a dress, very often, fight against each other because they are not at the same place. Sometimes you see the woman moving the belt around. She is making the robe her own. She needs that. Otherwise, the dress doesn't exist.

I like Tom Ford a lot because it's so classic and has great quality. I wear a lot of Rag & Bone.

Creating a bridalwear collection was a natural progression from my evening wear collections, which are well known for their softly draped and diaphanous silk gowns.