Bill Burr Quotes

In civic life, I think that's where you can debate what is good taste and what is acceptable to other people, and what's gonna offend people. Do that there, but leave it out of art, because art is the one frontier that shouldn't have restraints put on it.

In a perfect world, there would be no censorship, because there would be no judgement. I find the hypocritical aspect disconcerting, to say the least. We can show people being murdered on television, but I'm not able to say "chickenshit" in public. At the same time, I understand that people are afraid. Because I think censorship is about fear. It's just fear being projected onto art.

Issues that until recently were matters were matters of local prerogative, such as representations of the prophet Muhammad, are often [now] geographically unconfined.

I think the worst thing we can do is to concede to fanaticism its devotion, say. Well, you have to understand, these people are really fanatics, so we should back down from them. I think if journalists start doing that then they won't be practicing journalism. If satirists start doing that then they won't be practicing satire.

From the start, I've always admired Eminem's thinking. That's the reason I wanted to appear on the Grammys with him when I was asked. Eminem has the balls to say what he feels and to make offensive things funny. That's very necessary today in America, with people being muzzled and irony becoming a lost art. Artists like Eminem who use their free speech to get a point across are vitally important. There just aren't many people in the world with balls that big and talent that awesome.

I think of myself as a comedian who has the pleasure of writing jokes about things that I actually care about, and that's really it. I have great respect for people who are in the front lines and the trenches of trying to enact social change, but I am far lazier than that.

We, the Desaparecidos, are perfectly prepared for people to hate what we're saying or not like what we're saying.

I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.

People sometimes pay with their lives for saying aloud what they think. In fact, one can even get killed for giving me information. I am not the only one in danger. I have examples that prove it.

I think that's my hope for a lot of the feminist movement is that the gender thing sort of stops being the selling point, if that makes any sense. We're just people making art, and that's how this process has felt to me.

As for basic jokes about sex and even my religious stuff, I don't find any problems with that, even if I'm gigging in the Bible Belt, because religious people don't come and see me.

I think the very concept of an elite commission deciding for the American people who deserves to be heard is profoundly wrong.

I'm not on Twitter for abuse. I don't think anyone's gotten on Twitter so that they can be abused, but people do go on Twitter to abuse people. When that becomes clear then Twitter has a moral duty to shut those people down when they see that somebody is there solely for the purpose of abusing others. Yeah you have free speech, but what you don't have is the right to wield your speech like a cudgel to somebody who has done nothing to earn it.

On the road, when I do stand-up, people would always say, "What do you think about Donald Trump?" If you said, "He's crazy," they'd be like, "Yeah, he's crazy." But if you said, "I don't know - he seems interesting," they would be like, "That's really what I think."

I think masturbating is a really important function in art. People don't like to hear that kind of stuff, but it's true.

Secretly everybody's getting tired of political correctness, kissing up. That's the kiss-ass generation we're in right now. We're really in a pussy generation. Everybody's walking on eggshells. We see people accusing people of being racist and all kinds of stuff. When I grew up, those things weren't called racist.

As you can imagine, there were people who were like, "Why are you being the PC cop?" or, "This is Orwellian to tell people to stop using the word 'illegal' to refer to people." Well, I just want people to think it through.

I think art is the ability to change people with your work, to see things as they are and then create stories, images, and interactions that change the marketplace.

Mainly I got to know about the atmosphere in the East Germany and how people felt, because I never experienced it physically. You can't talk, because everywhere there's someone listening in on everything you say, and you might get things wrong and be questioned or they come up and say, "Well, actually, we want you to work for us and if don't, we'll pressure you," and stuff like that. Living in a country like that, how do you get around it and still keep your dignity? I think it's one of the main questions.

We aren't allowed to have any opinions. People can tell you to keep your mouth shut, but it doesn't stop you having your own opinion. Even if people are still very young, they shouldn't be prevented from saying what they think.

I never really expected "Hurricane" to be censored and banned around the world, but I think the good thing that came from it was that it created a dialogue, a conversation, a debate and a discussion. And that's a great thing. It brought all of us together in a unique way. And it made us look a little deeper in ourselves. I think it's a good thing.

Now somebody will ask me, Pete, how can you prove these songs really make a difference? And I have to confess I can't prove a darn thing, except that the people in power must think they do something, because they keep the songs off the air.

People ask could I have written the show I wrote in 1990 now, and I don't think I could. I think it's much easier to offend people nowadays. People have grown quite sensitive, I think.

If we stepped away from so much of the victimhood talk, I think that would make a big change for the better. It does limit art. The conversation wouldn't just be one-sided.

I understand that people are afraid. Because I think censorship is about fear. It's just fear being projected onto art.