Ross Lovegrove Quotes

In contact with materials, I can see so much more with my hands than I can just with my eyes. I'm a participant, not a spectator. I see myself both as an object and a material, and the human presence is really important to the landscapes in which I work.

When making a film, if I feel nothing in my body, I can't work. I have to touch. I have to feel. I never stop touching.

My struggle has been to return painting to the tangible object, which is like returning the personality to touching and feeling the world around it, to offset the tendency to vagueness and abstraction. To remind people of practical activity, to suggest the sense and not to escape from the senses.

We evolved to move and to learn with all our five senses!

A lot of equipment can get in the way of the connection with food, with touching and feeling.

It's important to read a book, but also to hold the book, to smell the book... it's perfume, it's incense, it's the dust of Egypt.

Touch is a freaky thing when you're not used to it. It makes you feel all kinds of things.

I should feel the air move against me, and feel the things I touched, instead of having only to look at them. I'm sure life is all wrong because it has become much too visual - we can neither hear nor feel nor understand, we can only see. I'm sure that is entirely wrong.

We have hands; we can stand on them if we want to. That's our privilege. That's the joy of a mortal body. And that's why God needs us. Because God loves to feel things through our hands.

While sight may deceive you, touch rarely does.

Le toucher est le plus de mystificateur de tous les sens, a' la diffe rence de la vue, qui est le plus magique. Touch is the most demystifying of all senses, different from sight which is the most magical.

My hand feels touched as well as it touches; reality says this, and nothing more.

It seems to me the book has not just aesthetic values - the charming little clothy box of the thing, the smell of the glue, even the print, which has its own beauty. But there's something about the sensation of ink on paper that is in some sense a thing, a phenomenon rather than an epiphenomenon. I can't break the association of electric trash with the computer screen. Words on the screen give the sense of being just another passing electronic wriggle.

Yes, we should not forget that the five senses are one. And all of them extensions of the skin

Intuition was not just visual but also auditory and kinesthetic. Those who watched Feynman in moments of intense concentration came away with a strong, even disturbing sense of the physicality of the process, as though his brain did not stop with the grey matter but extended through every muscle in his body.

A letter doesn't communicate by words alone. A letter, just like a book, can be read by smelling it, touching it and fondling it. Thereby, intelligent folk will say, 'Go on then, read what the letter tells you!' whereas the dull-witted will say, 'Go on then, read what he's written!

I want get people to think about sensory based of thinking.

But I like the feel of men on things, while they're alive. There's a feel of men about trucks, because they've been handled with men's hands, all of them.

By nature, I am a materialist... It is exactly these impingements upon our sense of touch and so forth that I'm interested in.

The exercise of all the senses is as intense pleasure, as anyone will find, who recovers the use of one after being deprived of it.

He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.

Walking shares with making and working that crucial element of engagement of the body and the mind with the world, of knowing the world through the body and the body through the world.

Eric was holding my hands, and I was digging my nails into him like we were doing something else. He won't mind, I though, as I realized I'd drawn blood. And sure enough, he didn't. "Let go," he advised me, and I loosened my grip on his hands. "No, not of me," he said smiling. "You can hold on to me as long as you want.

Physical pleasure is a sensual experience no different from pure seeing or the pure sensation with which a fine fruit fills the tongue; it is a great unending experience, which is given us, a knowing of the world, the fullness and the glory of all knowing. And not our acceptance of it is bad; the bad thing is that most people misuse and squander this experience and apply it as a stimulant at the tired spots of their lives and as distraction instead of a rallying toward exalted moments.

The reason why Matthew Arnold, to my feeling, fails entirely as a poet (though no doubt his ideas were good - at least, I am told they were) is that he had no sense of touch whatsoever. Nothing made any impression on his skin. He could feel neither the shape nor the texture of a poem with his hands.