There is relationship between sight and touch, something about eyes being able to see through the fingers touching the clay, about fingers being able to feel what the eyes are seeing without the fingers actually touching it.
Your hand is cold, mine burns like fire. How blind you are, Nastenka!
This is my heart. You are touching it with your left hand. You are touching it with your left hand, not because you are left-handed, although you might be, but because I am holding it against my heart. What you are feeling is the beating of my heart. It is what keeps me alive.
While he writes, I feel as if he is drawing me; or not drawing me, drawing on me - drawing on my skin - not with the pencil he is using, but with an old-fashioned goose pen, and not with the quill end but with the feather end. As if hundreds of butterflies have settled all over my face, and are softly opening and closing their wings.
Texture is very important. Just the feel of everything. It's not always about recording everything in pristine quality and having everything mixed where it's absolutely perfect. It's more about a vibe.
... sometimes I can feel it, the way we are pouring slowly toward a curve and around it through something dark and soft, and we are bound to each other.
Touch me, touch the palm of your hand to my body as I pass, Be not afraid of my body.
On the unconscious level, touch seems to impart a subliminal sense of caring and connection.
I stick my finger into existence and it smells of nothing.
Touch is one of the most intuitive things in the world.
It's important to read a book, but also to hold the book, to smell the book... it's perfume, it's incense, it's the dust of Egypt.
I put my hand on him. Touching him has always been important to me, it was something I lived for. I never could explain why. Little, nothing touches, my fingers against his shoulder, the outsides of our thighs touching as we squeeled together on the bus. I couldnt explain it, but I needed it. Sometimes I imagined stiching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love?
A book has got to smell. You have to hold it in your hands and pray to it.
It feels almost soft, like something to be caressed. Only gold feels that way.
My struggle has been to return painting to the tangible object, which is like returning the personality to touching and feeling the world around it, to offset the tendency to vagueness and abstraction. To remind people of practical activity, to suggest the sense and not to escape from the senses.
Touching his hair, she leaned hesitantly forward, and he folded his arms around her, sinking into sensation again as they kissed--the slight weight of her on his lap, the smell of her. He glided his hands up the warm dip of her spine, felt her shiver and press closer. He could never get enough of this. Never.
When they made love Geryon liked to touch in slow succession each of the bones of Herakles' back as it arched away from him into who knows what dark dream of its own, running both hands all the way down from the base of the neck to the end of the spine which he can cause to shiver like a root in the rain.
But I like the feel of men on things, while they're alive. There's a feel of men about trucks, because they've been handled with men's hands, all of them.
Touch is the most fundamental sense. A baby experiences it, all over, before he is born and long before he learns to use sight, hearing, or taste, and no human ever ceases to need it. Keep your children short on pocket money but long on hugs
Eric was holding my hands, and I was digging my nails into him like we were doing something else. He won't mind, I though, as I realized I'd drawn blood. And sure enough, he didn't. "Let go," he advised me, and I loosened my grip on his hands. "No, not of me," he said smiling. "You can hold on to me as long as you want.
The first effect of looking at a good photograph through the stereoscope is a surprise such as no painting ever produced. The mind feels its way into the very depths of the picture. The scraggy branches of a tree in the foreground run out at us as if they would scratch our eyes out
He was facinatined by Stereography and amassed a large collection of stereographs.
The warm dampness of her breath made me shiver at the mix of the familiar and the unknown, with a soft exhalation she shifted her head and her lips found my collarbone, teasingly shy of my old scar. Tendrils pulsed in time with my heart, building on the ones before to an unseen height.
We kiss. Her hands are freezing on my face, and she tastes like coffee and the smell of the onion is still stuck in my nose, and my lips are all dry from the endless winter. And it's awesome.
The windy satisfaction of the tongue.
The mental imagery involved with pianistic tactilia is not related to the striking of individual keys but rather to the rites of passage between notes.