Chadwick Boseman Quotes

Marvel heroes, at their core, are people who are damaged, are people that are trying to figure out who they are in life. And that doesn't matter whether or not they're X-Men characters or they're Matt Murdock or they're Tony Stark or they're Peter Parker... That's where it starts.

The way you challenge Superman is by having things happen very, very quickly in different places and then asking, 'Who does he save first? What powers must he use to save each person or stop each disaster?' That's one of the ways you make him interesting beyond the thematic and moral issues that make Superman.

Marvel is really about the stories of Peter Parker and Bruce Banner or Jessica Jones. These are - I'm hesitant to say the word, but - real people with real problems whose power comes, to use the great expression, with great responsibility.

In all our pictures, we had an antagonist who becomes the good guy, and the underdog fulfills his quest.

I still don't understand why the tag of 'action hero' follows me. My films have all these elements - romance, action and comedy. None of the fight sequences of my character is an act of randomness. There's a reason to action in my films.

He's meant to be that classic Homer, Ulysses, Hercules - a character who goes out or has some gift of some kind. He goes on a journey of discovery and part of that is falling into darkness - the temptations of life.

I understand the rules of Superman - not necessarily better than anyone else - but better than a normal filmmaker would. After doing 'Watchmen' and digging that deep into the why of superheroes, when Superman is presented to you, I felt like I was in a unique position to say 'I get this guy. I know what this is.'

I think what's fun about the Western genre is the character arcs are very strong and, arguably, more interesting and exciting than the action that is metaphorically representational of those arcs.

I think that 'City of Heavenly Fire' is definitely a book where all the characters are tested to their limits, and they have to make really significant choices about who they are and who they wanna be.

What 'Flashpoint' does is examine the inherent inconsistencies in Shade's past and attempt to explain it and give it some logic.

I think I land somewhere between Scorsese and Capra in what I'm drawn to emotionally; I'm drawn to very intense emotion. Capra freaked people out when they saw Jimmy Stewart lose it in 'It's a Wonderful Life.'

Yes, it's a prequel. It tells the story about how the girls were born with superpowers, but they weren't necessarily heroes at the beginning of this movie, so the movie is about the events that happen in their life to make them decide to be heroes.

Put the hero back in the super hero movies, because I think 'super' might have taken over.

I'm not sure that it's possible to write a novel about people who don't transgress or stumble, people who don't surprise themselves with the things they do, people who can explain all their actions with perfect logical consistency. At least it's not possible for me to write that sort of novel.

Fiction's about what it is to be a human being.

I think you have a social responsibility as the villain, which is pretty different from the hero's responsibility. If you have any kind of a social or political conscience at all, the first thing you want to do is make malevolence recognizable to people, almost as a kind of teaching aid.

I just don't see myself as the heroine in my own narrative.

A man's conflicts represent what he 'really' is.

The function of the novel is the exploration of the human condition. Really, that's what it's all about.

I think that's what distinguishes Schmidt, really. In the movies now, so much of what is appealing to an audience is the dramatic or has to do with science fiction, and Schmidt is simply human. There's no melodrama; there's no device, It's just about a human being.

I just gravitate to movies where the mystery is the character himself. Any time you see a trailer of something where somebody is questioning 'Who am I?' I'm hooked.

My style hero was' Batman.' Now it's Tony Stark.

A superhero movie is only as great as its villains.

You don't have to go to the kings and queens of the earth - I think the Greeks and Elizabethans did this because it was a logical concept - but every human being is in enormous conflict about something, even if it's how to get to work in the morning and all of that.

The protagonists that I've played tend to be people who make trouble. Or even if they don't make it, they certainly disrupt things. It's fun to do that in life as well. But I don't think I ever played myself.