Edward Said Quotes

'Orientalism' has successfully built my critical awareness to question and see the big picture of knowledge, perspective or idea from a Western point of view and always see things from different perspective.

There's this long history of colonialism and the colonial gaze when applied to matters related to China. So a lot of conceptions about China in literary representations in the West are things you can't even fight against because they've been there so long that they've become part of the Western imagination of China.

European authors often write books about the rest of the world that profess a vision of shared humanity but fall far short, casting the other as exotic or dangerous.

Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient—dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it: in short, Orientalism as a Western style for dominating, restructuring, and having authority over the Orient.

My family and our neighbors and friends thought of Africa and its Africans as extensions of the stereotyped characters that we saw in movies and on television in films such as 'Tarzan' and in programs such as 'Ramar of the Jungle' and 'Sheena, Queen of the Jungle.'

I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.

People in the Middle East do not hate us for our freedom. They do not hate us for our lifestyle. They hate us because we have spent many years attempting to force them to emulate our lifestyle.

The US became arrogant because of what it owns of weapons and technology. For that, it handles the world as it pleases, and changes the ideologies of people, their habits and ethics in order to spread Western culture at the expense of Islam.

'M. Butterfly' is usually the answer to the question, 'What has been your favorite experience?' The reason being, it is an astonishing play.

As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with.

When we talk about Orientalist painting, we're talking about painting generally from the seventeenth through the nineteenth century, and some would say even into the twentieth, that allows Europe to look at Africa, Asia Minor, or East Asia in a way that's revelatory but also as a place in which you can empty yourself out. A place in which there is no place. It's an emptiness and a location at once.

They embrace them because they represent everything that America represents: money, power, and freedom. Why else would you see an old Ugandan woman respectfully listen to a 22-year-old white girl from America telling her what she should or shouldn't believe?

Edward Said is a very honorable representative of the "intellectual" in the sense of the term that he defines.

From the beginning, this culture - civilization - has been a culture of occupation.

...I have to tell you that I'm not all that comfortable with the idea of spending the rest of my life sleeping next to somebody who's got the power to fire me if my underwear doesn't make it all the way to the hamper." She repressed a smile. "I'm sympathetic to your problem, but I'm not selling the team just so you can be a slob." "Somehow I didn't expect you would.

I have always had a deep belief that every movie, every artistic expression, is political. Don't be fooled. Even ones that we wouldn't consider overtly political are political. When we spend time doing anything, whether it's distraction or whether it's something that we have to face, it is always political. That's my belief.

It seems the natural thing for us to listen whilst the Europeans talk.

Western civilization is a loaded gun pointed at the head of this planet.

I emphasize in it [my Orientalism] accortdingly that neither the term Orient nor the concept of the West has any ontological stability; each is made up of human effort, partly affirmation, partly identification of the Other.

All films are political, whether they mean to be or not. Star Wars is political. As soon as you have conflict, which is the key to most films, you have politics. It's just that some are more artful with the handling of politics than others.

I have nothing but respect for people who travel the world to make art and put exotic Indians in front of linen backdrops, but it's always been my philosophy to try to make art out of the everyday and ordinary.

When I was in the US, I felt that the discourse there surrounding Muslims as the other, problematising Muslims and Islam as the other was very similar to what we find in Australia, which is that the image of Islam is a constructed image in the West. We are starting from a point of view that Islam and Muslims - well Islam is a violent, misogynistic, hateful religion and that is where the debate always starts from - that presumption underlies the discourse.

The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire.... The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emenate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.

The Anglo-Saxon world saw India as an underdeveloped country. The land of snake charmers, the cows on the street, that "ex-colony-backward-nation" kind of viewpoint, very condescending. Europe on the other hand, saw India in a more romantic, mystical, spiritual way, as a place that's a fountain of wisdom.

As long as imperialism exists it will, by definition, exert its domination over other countries. Today that domination is called neocolonialism.