Nate Lowman Quotes

I actually prefer night shoots to days. I prefer being up. It's easier for me. I'm more of a night person.

I work with the options I have in front of me and my reasons for choosing a job can vary enormously depending on the circumstances. Sometimes I take a job because it's a group of people I'm dying to work with, and sometimes it can be a desire to shake things up a bit and not to take myself too seriously.

There's a level of ease that comes with working in Australia that can be missed working in other places.

Unless I can come in in the morning and smile, walk in the lobby and say, 'Good morning!' - if I am stressed - I am not going to do a good job. Everybody is watching us. They are feeding off of our energy.

I never write in the daytime. It's like running through the shopping mall with your clothes off. Everybody can see you. At night ... that's when you pull the tricks ... magic.

Night is a more quiet time to work. It aids thought.

When it comes to landing a good job, many people focus on the role. Although finding the right title, position, and salary is important, there's another consideration that matters just as much: culture.

It's important to work with a team if you believe in the project. If I'm not happy, I leave. This is true for everyone in every job.

Before I came to Bollywood, lot of people told me that here things are not very professional, but I've had no such experience.

Where people work and their environment is becoming more and more important, especially for millennials.

Well I guess I always look at other people who have maybe more traditional jobs and I think gosh their weeks are so much more stressful and busy than mine.

I very much love Los Angeles, and I love working here. I find it very inspiring and very creative, and some of the best crews are in Los Angeles.

That's one of the reasons why I left WWE: not to feel tied up or pressured into fulfilling a certain number of work dates throughout the week or month - because of my injuries.

The working hours are easy in films, while there is always an anxiety on television. So the energies are very different.

No matter what job I've undertaken, whether it was Glory Kickboxing or Strikeforce or Pride Fighting Championships or Showtime Championship Boxing, you have to play by the rules of the company you work for.

I love working, wherever it is.

I've only worked with very professional people.

Measuring how hard your team is working by counting the number of hours they work or what time they get in and leave is how amateurs run companies.

I would love to be in a zone concept every once in a while. Probably later on in my career.

People want to work, but they don't want to necessarily want to do labour.

When you're working in service to a big project, there's always the question of, 'Is there total freedom to do what I think is right artistically, or is this a job?' It's okay for things to be a job. I'm perfectly comfortable working. I don't need to sit around and quench whatever personal artistic thirst I have at all times.

You never say never, but I am very, very comfortable in the position I'm in with 'Lucha Underground.' I love their schedule, I love their style, I love what they have to offer.

It's okay to work for someone else; not everyone is cut out to own a business, and even so, working for someone else is a chance to learn how to both be an employee and an employer.

Allowing our staff to mix their life with work only makes them more productive and in love with the work that they're doing.

Create your world around your work. Create your work around your life. Let other people help you shape it.