Stroll into work at 10. Lunch from 12 till three. Leave work at five. That's living!
If athletics wasn't an option, I'd probably work at like a surf shop in Hawaii on the beach, just dishing out surf boards.
I relax while I work. It's really weird but my job doesn't feel like work at all. That's why I try to do as much as possible. When I'm on the set, learning lines and playing around, I'm relaxed. It's so amazing.
My wife and I now live in the summers in northern Michigan in an environment which is wonderfully conducive to research, and where most of my work in the last 15 years has been done.
When you do voiceover it's such a fun job to be able to do. First of all, you can do it in your pajamas and you don't have to get dressed up for it.
There's a level of ease that comes with working in Australia that can be missed working in other places.
I want to enjoy work and enjoy my life. I can't get stressed with competition.
I write at home. I like to be able to take a nap, watch TV, make a sandwich, and if I wake up and don't feel like working, I'm not going to bang my head on my desk all day: I'll go out and do something else.
Meetings, clearly, can take place anywhere, and wouldn't it be nice to see your coworkers lounging on the grass with their shoes off?
I've always wanted to do an adult cartoon, because I want a job where you can just drive up in your pajamas, have a cup of tea and not even get dressed, and you've gone to work for the day. What a great gig!
I like animation: you can go to work in your pyjamas.
I'm just paid to do whatever I want to do. Some of the time it's development, and some of the time it's just goofing off.
The night schedule is a crazy pit I fall into most of the time, but I do like it because the buzz of normal professionalism has gone away. Even though you're working, you feel like you're playing.
I don't have these crazy deadlines. I don't have this, 'Oh it's got to be out tomorrow.' I don't like working like that.
