Asa Butterfield Quotes

John Hurt was incredible to work with.

Sometimes they come to you and it's a small role, so it's about the experience and the journey and mixing with people you know you will learn from. Or sometimes it's a scene in a movie that you think, 'I just have to play this person.'

To me, Elijah Wood is one of the best actors of my generation. He's so incredibly present and in the moment, when you're working with him, and then we just chat away about anything off camera because he's a lovely guy.

I've been a fan of Mads since the “Casino Royale” movie. I really sat up and paid attention to him. I was like, “Who is this motherf**ker?” Even his work in something as sort of popcorn as “Clash of the Titans,” he brings a kind of danger and reality and he grounds it in such a way that you think, yes, I'm good to work with this guy. I should come back, just stay behind him. (Laughs) Our working relationship has been fantastic.

I'm not somebody who takes stuff home with them, that if I shoot a scene and I'm personally impacted for days or something. I mean it certainly is affecting and everything, but it doesn't penetrate to some deeper layer. I'm in it when I'm in it.

I think I can speak for a lot of people in that they would be pretty nervous about meeting Harrison Ford, and I was definitely one of those people. For me, and I think for all of us, once you get to know him, you do get on very well. He's such an amazing person and an amazing actor. There were so many young people on the set and he really pulled the best out of us.

In 2005, I had the great honor of playing Shailene Woodley's mother in 'Felicity: An American Girl Adventure.' I was immediately impressed by her work ethic, both on and off set.

I did a TV movie with Tom Cavanaugh. He was the perfect partner, I learned so much from him. I would do anything with him again.

Working with Kajol was a delight, as we complemented each other. She is a seasoned actor, and there is so much to learn from her.

I think our first scene was us arguing, and nobody wants to argue with Angela Bassett, but the thing about it was that all of the nerves I had going into it were immediately kind of quelled as soon as I got to the set. Becasue she's not Angela Bassett, she's just Angela Bassett.

I've known Radhikaa akka for a long time, and have seen her perform like a pro in front of the camera. But, to work with her and mouth dialogues in her presence had me in jitters.

I never had any apprehensions while shooting for intimate scenes, we are all actors. The only apprehension would be about who are the people who are working on that particular project.

It was really good working with Paresh Rawal. I was nervous at first because he is such a big star and I love his performances, but the initial nervousness went away once I got to know him. He is a very simple and hardworking man.

I fell in love with Nawaz on-screen after watching 'Gangs of Wasseypur.' So my love story starts with him from there. I was quite nervous to act alongside him. He is an excellent actor.

I had really great time working with Irrfan Khan and Deepak Dobriyal.

One time in the late '50s, when Peter Finch, Laurence Harvey, and I were all offered the same movie role - the assumption being that we weren't friends - we marched up to producer Dino De Laurentiis's door and declared in unison, 'We don't think we're suitable for the part.'

I kind of started with this foundation, and tried to do all the research I could do for Alice [Cullen], and then every time a [new] director would come in, they have their own artistic take on things and add in new elements. And a lot of times they would ask, "What did you love that you portrayed, and what do you wish that you could show?" So I felt, with each installment, I got the opportunity to add on something. I think she was very - you know, really sweet, [laughs] a little odd in the first installment.

It is part of me; I could definitely be that if I wanted to, I just choose not to. I mean, I am an actress at my core, and I think we're all a little crazy.

I have a notion that there's a Star Wars out there waiting to be made, and I'm not sure it's the next Star Wars. I think it's something else that will be fresh and original.

Leonardo is the most incredible actor, on the planet, with a couple of people alongside him. Getting to act with him is just [amazing]. I walked away from my audition for that and I couldn't believe that I'd been acting with him. I've worked with amazing people, but my friends freak out that I'm working with him. I freak out in a geeky acting way. They freak out in a starstruck way. He's Leonardo DiCaprio, and his fame is so big. That's a complete tangent about that.

I think audiences are a lot more intelligent than what we give them credit for and understand that an actor is playing a role and that doesn't mean he can't play different types of roles.

I mean God knows I've done tons of schlock during the course of my career and stuff that's been very low budget and really pressed for time, but I've never had an experience like this. I kept saying to people, "How do you do this?" I said to Susan [Lucci], "How do you do it?" I don't recall exactly what she answered me but it was something like "Close my eyes and think of England. You just do it."

Although I could be wrong. If Roland Emmerich's thinking about doing that at some point, I'd be glad to don the long hair again. But sometimes you can just go a little bit further out with something you're only going to be doing for a short run

People tend to think when you're on dramatic films, that it's all so heavy, but it's really not when you're working with great actors.

I like to be cast well and then I like to be left alone. And good directors, that's generally what they do when they hire you because you have something that's useful to the part, and then they leave you alone. The times that I've run into trouble is when, very rare actually, but you get hired and then there's some sort of makeover involved.