Anne-Marie Duff Quotes

I mean God knows I've done tons of schlock during the course of my career and stuff that's been very low budget and really pressed for time, but I've never had an experience like this. I kept saying to people, "How do you do this?" I said to Susan [Lucci], "How do you do it?" I don't recall exactly what she answered me but it was something like "Close my eyes and think of England. You just do it."

I think you grow up on every shoot you do. You do grow up because you're away from home, you're not with all of your friends constantly and in that environment you have to be grown up. You're working with adults and you're sort of expected to be older and that's how I like to put myself across. I don't want to come across as constantly messing about.

The first time I met Harrison, I think, was at the very first read through of the script. As anyone would be, I was a bit nervous before meeting him. I mean, it's Han Solo, so it was quite crazy. But once you get to know him, he really is such an amazing person. He's such an amazing actor as well. As I said before, his presence really does get the best out of you as an actor.

Real quality means making sure that people are proud of the code they write, that they're involved and taking it personally.

I got my first part in Silent Fall, 1994 - I guess I was 15 or 16 - which was really outrageous because I still knew nothing. I don't think I really learned how to land on my marks until after Empire Records in 1995, 'cause sometimes I'll see a shot in that film, and I'm like "Whoa, I just walked over to the corner."

Success, the real success, does not depend upon the position you hold but upon how you carry yourself in that position.

You're learning things. As you get older, you're experiencing them. You learn about what it means to be sacrificial. Then, you get married or something like that and you think, "Oh, wow! This is the real deal."

I think that there is no doubt that every experience you have in your life, whether it's playing a character or something else, you bring that to the work.

America's great talent, I think, is to generate desires that would never have occurred, natively,... and to make those desires so painfully real that money becomes a fiction, an imaginary means to some concrete end.

I love working with people who have had television experience because I think there's a real efficiency and methodology that comes from that background.

You've got to be able to know someone really well to be able to have a row and then also walk away from it and not have it matter, especially in this business. That doesn't mean to say we have many rows but I think the nearest thing to a row would be just flatly disagreeing with something .

I really think if you have a tattoo you have to wonder about what kind of future you have ahead of you. As an employer, I wouldn't employ someone with tattoos as I would wonder what customers would think about them. For me, tattoos are just a way for people to find attention who haven't found another way in their life to achieve it by conventional means.

I come down as an actor and my marks are already laid out on the floor - somebody else organized what I'm going to do. I think, why am I here? And why I'm here is to express the words with some sort of vague emotion and make them seem real. I wanted to go back to how it was before.

With a group of people, a troupe of actors in the theater, you go out on tour, and you're like a traveling circus. It's very sociable, and there's a real community, and it's very intense, and then you may never see them again. That was very appealing. I mean, it wasn't consciously appealing, but I think a lot of actors like that.

I mean a real police state just to get a token recognition of a law. It take, it took, I think, 15,000 troops and 6 million dollars to put one negro in the University of Mississippi. That's a police action, police state action.

And I think more of a concern has been not within the campaign, the mistakes that were made, not being able to react to the circumstances that those mistakes created in a real positive and professional and helpful way for John McCain.

I mean I don't think it got me interested in acting. I think it might be what makes it so that I can have the idea of the variety of people in the world, different incomes. That helps. When you're going to play someone it's interesting and nice to see experiences that aren't like yours. But there's always the remarkable similarity of all people.

I used to be younger than my producers but now I'm older than my producers and I think that works for me, that works better cause you get a good kick up the ... everyday.

I'm not somebody who takes stuff home with them, that if I shoot a scene and I'm personally impacted for days or something. I mean it certainly is affecting and everything, but it doesn't penetrate to some deeper layer. I'm in it when I'm in it.

I don’t think there's ever been a point in my career where I've said, 'I've made it.' What does that mean, 'I've made it?' Made it to what? If you say, 'I've made it.' then are you finished? I don't want to be finished. I don't want to quit.

I think the first time I realized I was actually acting was during Felicity. Before that, I was just going along for the ride.

You can't just think that you will get a job for no good reason... And I think that the other part is you have to work your way up, you know I did a lot of Xeroxing and getting coffee...I always did what I was asked to do. I delivered. People knew that I would get things done and get them done well. And that is a big part of our resumes, are based on being responsible and being willing to do what needed to be done.

I feel a little peculiar around the children. For one thing, they grown. And I see they think me and Nettie and Shug and Albert and Samuel and Harpo and Sofia and Jack and Odessa real old and don't know much what going on. But I don't think us feel old at all. And us so happy. Matter of fact, I think this the youngest us ever felt.

I think the real reason is that life has no meaning. I mean, no obvious meaning. You wake up, you go to work, you do stuff. I think everybody's always looking for something a little unusual that can preoccupy them and help pass the time.

Reality is not so much what happens to us; rather, it is how we think about those events that create the reality we experience. In a very real sense, this means that we each create the reality in which we live.