Jason O'Mara Quotes

It's hard, the green screen; it's a different way of working.

I wish they taught green screen acting classes.

You've seen how they make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.

Green screen's not my favourite thing to do.

On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.

When you're doing a film that has so many effects, you do a lot of it on green screen, and you can't see what that world is.

Special effects are becoming more and more affordable and looking more and more like the real thing.

It doesn't bother me to work with so much green screen. I prefer real settings obviously.

I'm of a generation of director that came up understanding special effects.

Acting on a blue screen is awful.

I wouldn't want to do a whole movie with effects.

There's nothing worse than a dream sequence done all in post-production.

Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.

In 'The Greatest Showman,' I'm back doing VFX myself, allowing me to craft exactly how something looks, one frame at a time.

When I filmed 'Power Rangers,' almost everything was being assisted by a green screen, but it wasn't the same with 'Stranger Things.'

Maybe 'Vicky Cristina Barcelona' didn't have a lot of visual effects in it, but most movies have some sort of visual effects.

I read about some movie where they did everything on blue screen, and the actors were not even connecting to each other.

We're in a time now where technology is such that we can create anything, and that's what's new about television and film these days.

I don't like camera trickery and editing and doubles and all of that.

When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.

'Green Screen' was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.

It was close to like a 67- or 70-day shoot for 'Tron' on stage, in the suit. You can't even sit down during the day because of all the cables that divide the foam rubber and all the electrical circuits. We had these stools that were tall with a bicycle seat on them and you're just looking at a blue screen all day.

That's the trouble with anything which essentially has a lot of bits that are physically impossible: You're left, stuck, in the studio. And that's a shame. You're making a movie. You don't want it to stay put, you want it to be a movie - to move.

Technology continues to bring us wondrous advances in filmmaking to improve how we view movies.

I did what we call dry for wet effects, some of the miniatures work and two animation sequences.