Lucy DeVito Quotes

I wish they taught green screen acting classes.

You've seen how they make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.

Acting on a blue screen is awful.

It doesn't bother me to work with so much green screen. I prefer real settings obviously.

It was close to like a 67- or 70-day shoot for 'Tron' on stage, in the suit. You can't even sit down during the day because of all the cables that divide the foam rubber and all the electrical circuits. We had these stools that were tall with a bicycle seat on them and you're just looking at a blue screen all day.

It's hard, the green screen; it's a different way of working.

I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.

Technically, the green screen acting can be difficult because there's something worse than a tennis ball on the end of a stick; it's an Australian visual effects assistant running around a field with a cardboard dinosaur head on the end of a stick while wearing sandals.

On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.

When I filmed 'Power Rangers,' almost everything was being assisted by a green screen, but it wasn't the same with 'Stranger Things.'

I read about some movie where they did everything on blue screen, and the actors were not even connecting to each other.

Working with a green screen is so different than working with another human.

'Green Screen' was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.

Green screen's not my favourite thing to do.

Unless you're making Marvel movies, I think CGI usually suffers, especially in mid-budget-range horror movies where you see CGI.

When you're doing a film that has so many effects, you do a lot of it on green screen, and you can't see what that world is.

In 'The Greatest Showman,' I'm back doing VFX myself, allowing me to craft exactly how something looks, one frame at a time.

I work a lot with a green screen, which is really time consuming. All the special effects are.

Working with green screen, you really rely on the director in a way that you don't on different types of films.

[I was filmed] against a blue screen [in the Star Wars]. All the rest came later, in Lucasland. They did have me take gun lessons, though. I went to the same guys who taught Robert De Niro for Taxi Driver.

I'm not a great fan of green screen. It's not much fun for actors. It's great for directors and technical people and cameramen.

I've always been into visual effects. It was something I took keen interest in before films happened. Ironically, I am a part of 'Raaz 3,' a film that is shot entirely on 3D. It has encouraged me to pursue my dream. Hopefully, if time permits, I will travel to the United States and attend a crash course in visual graphics and animation.

CGI is done after the film is done. It's through the computer. Most of the film is not computer-generated special effects. Most of it is that creature that is in the room with you.

When I played Gollum in 'Lord of the Rings,' if I was climbing up the side of a mountain, which I physically did, you know, I was on every single occasion swimming through streams, all of that, that wasn't captured. That was filmed on 35 millimeter, and for certain of those shots, it was rotoscoped and painted over.

I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.