Jerome Lawrence Quotes

A deep analysis judges technology morally - from its conception and intention to the totality of its consequences, knowing that all "raw materials" once were someone's home or sustenance, that extraction and manufacture at industrial scale reduce landscapes and their human beings, that distribution, employment, and disposal of technologies change lives in unpredictable ways.

Breaking of norms and disregard for decency have huge, long-term costs.

I think it's time for the media and our leaders to get real and start telling the truth about the impact of adultery on our national life.

Prohibition is an attempted cure that makes matters worse - for both the addict and the rest of us.

There is really no fiction or non-fiction; there is only narrative. One mode of perception has no greater claim on the truth than the other; that the distance has perhaps to do with distance - narrative distance - from the characters; it has to do with the kind of voice that is talking, but it certainly hasn't to do with the common distribution between fact and imagination.

We must face the fact that we are on the brink of times when man may be able to magnify his intellectual and inventive capability, just as in the nineteenth century he used machines to magnify his physical capacity. Again, as then, our innocence is lost. And again, of course, the innocence, once lost, cannot be regained. The loss demands attention, not denial.

The fact is that the culture does not have only positive effects on our intellectual and moral functions but also negative effects.

In its pursuit of justice for a segment of society, in disregard of the consequences for society as a whole, what is called 'social justice' might more accurately be called anti-social justice, since what consistently gets ignored or dismissed are precisely the costs to society. Such a conception of justice seeks to correct, not only biased or discriminatory acts by individuals or by social institutions, but unmerited disadvantages in general, from whatever source they may arise.

We are free when we are not the slave of our impulses, but rather their master. Taking inward distance, we thus become the authors of our own dramas rather than characters in them.

As an anonymous participant in financial markets, I never had to weigh the social consequences of my actions ... I felt justified in ignoring them on the grounds that I was playing by the rules.

It is only with distance that we are able to turn our powers of observation on ourselves, thus fashioning stories in which we are characters.

It is soldiers who pay most of the human cost. In war it is extraordinary how it all comes down to the character of one man.

.. that a rule, which, in speculation, may seem the most advantageous to society, may yet be found, in practice, totally pernicious and destructive.

One of the many, many things I hate about war is how it trivializes the personal. The big themes, the broad sweep, the emergency measures, the national identity, all the things that a particular kind of man with a particular kind of power urge adores, these are the things that become important. War gives the lie to the personal, drowns it in meetings, alarms, sacrifices. The personal is only allowed to return as death.

The consequences for human welfare involved in questions like these are simply staggering: once one starts to think about them, it is hard to think about anything else.

That politeness which we put on, in order to keep the assuming and the presumptuous at a proper distance will generally succeed. But it sometimes happens that these obtrusive characters are on such excellent terms with themselves that they put down this very politeness to the score of their own great merits and high pretensions, meeting the coldness of our reserve with a ridiculous condescension of familiarity, in order to set us at ease with ourselves.

The endings for all my characters seem sufficiently human and messy for me to feel comfortable with them. In some ways they have only moved an inch, but sometimes an inch is a great distance.

Men and women must be educated, in a great degree, by the opinions and manners of the society they live in. In every age there has been a stream of popular opinion that has carried all before it, and given a family character, as it were, to the century. It may then fairly be inferred, that, till society be differently constituted, much cannot be expected from education.

I use my platform for more than just myself. Art is a reflection of human emotions. To neglect the political is to neglect what essentially is your job of storytelling. I would rather be known for the content of my character than for the project that I did.

There are consequences to letting people live out whatever wants or passions they desire.

I think that most technology is positive in the short term, and negative in the long term. I wonder, if somebody looked back at the 20th and 21st centuries a thousand years from now, what their perception of the car would be. Or of television. I wonder if over time, they'll be seen as this thing that drove the culture, but ultimately had more downside than upside.

[The blame for the future 'plight of civilization] must rest on scientific men, equally with others, for being incapable of accepting the responsibility for the profound social upheavals which their own work primarily has brought about in human relationships.

I would like to say that I have software that allows me to model worlds to a high degree of scientific plausibility. I'd also like to be six foot two and fifteen years into my reign as Emperor of Europa. The simple truth is that past the character's name and a long history of making my own body cover distances, I did very little in the way of targeted research.

All that land is filled with people, every one of them different, and the things they do to each other matter.

The last element in drama is high stakes. War, of course, is life and death - survival, not only for the story's characters, but often for the society itself. That's why I'm drawn to stories that are built around wars, even if they're not technically "war stories."