Jeffrey Bewkes Quotes

Being an executive producer allows me the opportunity to create original content, and I can't wait to show my fans what we have in store on 'Kocktails with Khloe.'

In a movie, you work three months to tell a story that happens in two hours. In a Mexican soap opera, you work one day to make a story that's an hour and a half. So you can see the difference in the quality of the project.

Blumhouse Books is not an outlet for us to mine intellectual property for movies and TV.

With platforms like Netflix, things are evolving as they are making content-driven films and series.

I'd love to set up shop somewhere and develop projects - film, TV, digital would be a fun thing to do.

It's just a challenge doing live television every week; you know, it's a challenge to come up with new material every week and stuff like that and try to keep it current, you know what I mean? Like, it's just, you know, it's a kind of a stressful environment.

There are an enormous amount of techniques I wanted to beta test in television. You can't take those risks on a $100 million movie.

I really enjoy working, you know, on streaming outlets because there's so much creative control for the creators of the shows, and, you know, you're allowed to make such great television.

I definitely applaud Netflix and all of those guys, whether it's Hulu or whoever, for doing original programming.

A studio that's designed to make television shows is not a studio designed to make a fashion line, so a lot of times, we have ideas for things we might want to do but don't necessarily have the infrastructure to do them in a timely manner.

The film industry is moving towards digital technology.

You have to edit it, mix it, color grade it, there are processes and the audience doesn't care when they binge-watch a show. They think in four weeks you should get the next season.

As someone who started in the digital background, it's an easier, better, faster platform to bounce off of. You already have so much momentum, and you already have the experience. You're already comfortable being in front of the camera.

TV is just another opportunity for me to entertain people. Although it's definitely a lot slower than the Internet, that's for sure.

It's nice to have video play, radio play but as long as I can work my virals on the Internet, or yet get it out to where people hear it and can see it anytime, I'm cool.

TV is a hard thing to do. It's a hard thing to get a show.

I'm interested in producing more TV shows.

I essentially have always directed everything on my TV show without using that title; I edited and wrote all my stuff.

Apart from my film, I am producing TV serials and plan to make more films, too. Mine is not going to be one-film-a-year production company as such.

I would love to be on a really good show and share all the stuff that goes into creating a big TV show and get my audience into it. I think that makes it personal and makes the audience feel like they're a part of it.

I love the fact that I can make a podcast in my house and tens of thousands of people will hear it. I also like that it's gotten rid of a lot of gatekeepers.

We're having such a great time on 'Nashville' that building on the relationship seemed an obvious next step. Lionsgate is the perfect home for the kind of scripted television I want to produce and direct.

With films, you are not so much on a schedule. TV is all about scheduling.

I want to create and write scripted and unscripted shows, digital shows, stage shows.

When you're doing the work, film and TV are exactly the same. TV is just film in reduced pieces.