Alexander Alekhine Quotes

Oh! this opponent, this collaborator against your will, whose notion of beauty always differs from yours and whose means are often too limited for active assistance to your intentions!

Nothing could be more restrictive than working with people in advertising.

What we need is imagination, but imagination in a terrible strait-jacket.

We can't spend all day trying to get the performance exactly right and you just have to accept that and move on and accept the medium that you're working in and you know, there's a beauty in working under constraints and limitations. I think a lot of great things can come out of that.

I'm a songwriter. I've got ideas in the closet that just didn't work out with my band, that I think, "This is a great idea, it's just the wrong guys."

I still don't know how to express the really delicate personal stuff. People think that Plastic Ono is very personal, but there are some subtleties of emotions which I cannot seem to express in pop music, and it frustrates me. Maybe that's why I still search for other ways of expressing myself. Song writing is a limiting experience in some ways - writing down words that have to rhyme.

I think that limitations are the most important part of any art form

I think most writers can't really think about their work without a kind of revulsion. And I think that's probably why we keep going back and trying again, trying to do better each time.

But to make the intangible tangible, to pick the emotion out of the air and make it true for others, is both the blessing and the curse of the writer, for the thing between book covers is never as beautiful as the thing he imagined.

There is a lot of ignorance, and I don't mean intellectual ignorance. I mean people think that if you get something, it will take away from what I have. It's just ignorance.

I think that in the process of writing, all kinds of unexpected things happen that shift the poet away from his plan and that these accidents are really what we mean when we talk about poetry.

I think that gulf is what makes the work interesting, but as a creator it's endlessly frustrating because I'm starting out with this goal, this thing I'm trying to create, and then the thing I actually do create is very, very different. It's always painful, in some ways, especially when it's just finished.

I feel satisfaction at the end of the day when I've written a scene that I really like or when I write a good line of dialogue that I read out to my wife or something like that. But there's also days where it's just bloody agony and I go, 'ugh, this is such crap! Why did I think I had any talent?

Writing is like pulling your hair out. You have nothing, and you can't think of anything, but you have to think of something.

It's a difficult thing to describe theology, what it means and how it disciplines thinking. Certainly, theology is the level at which the highest inquiry into meaning and ethics and beauty coincides with the largest-scale imagination of the nature of reality itself.

Capability means imagination.

You know the best thing about aeroplanes? Apart from the peanuts in little silver bags, I mean. It's looking out of the windows at the clouds and thinking maybe I could go walking in there. Maybe it's a special place where everything's okay. Sometimes I do go walking in the clouds but it's just cold and wet and empty. But when you look out of a plane it's a special world... and I like it.

I think brilliant stuff comes out of working with limitations. One liners are very limiting, but that's what drew me to them in the first place.

Schiller writes in a letter [to Goethe, 17 December 1795] of a 'poetic mood'. I think I know what he means, I think I am familiar with it myself. It is the mood of receptivity to nature and one in which one's thoughts seem as vivid as nature itself.

I think that people have been claiming hip-hop as being dead since the moment it started. I think there are people - and I can be included in that category sometimes - that get frustrated feeling like maybe the industry has handcuffed itself, or trained its artists to do or think about music in a way that classically hasn't led to the greatest records in hip-hop.

I think that when you create something or at least try to create something, you slither between excitement and pleasure and you understand this huge emotional frustration. You did one feat, then you go back one.

What did you put in the fire?" Kaladin said. "To make that special smoke?" "Nothing. It was just and ordinary fire." "But, I saw-" "What you saw belongs to you. A story doesn't live until it is imagined in someone's mind." "What does the story mean, then?" "It means what you want it to mean," Hoid said. "The purpose of a storyteller is not to tell you how to think , but to give you questions to think upon. Too often, we forget that.

Your curse is that you have chosen a form that requires endless study .... It means you have to read, you have to observe, you have to think, so that when you turn your imagination on, it has the fuel to do its job.

What do you think happens to a composer who is sincere and loves to write and has to wait thirty years to have someone play a piece of his music?

In horror films, they sometimes don't show the monster because our imaginations and our own pain is so much greater. Social media is like that. I think it's so great. It doesn't have to show a monster - when you see someone leaving a mean comment, or living a so-called perfect life, you just put all of your pain into that.