Marguerite Yourcenar Quotes

Most writers, I'm afraid, live very boring lives sitting in front of a screen. However, having said that: every writer puts a bit of themselves into the characters to bring them alive.

Memory and the imagination are almost identical. It's the same place in the brain and the same thing is happening. When you think about your own life, there are no memories without place. You are always situated somewhere. I think the imagination - the narrative imagination at least - situates you in a specific space when you start to think of a story. I often use places I know. I put my characters inside rooms and houses that I'm familiar with - sometimes the houses of my parents or grandparents or previous apartments I've lived in.

When I'm writing novels, even screenplays, it's never an actor I have in mind; it's always the version in my head of who the character is. Once somebody gets cast, I have to adjust a little bit to who they are.

I think writer is a word without gender, and a good writer observes, absorbs, hopefully empathizes then translates that into character and story. You don’t have to do or be or have experienced, traveled to, but you have to imagine all of that, very well–and believe it completely during the bubble of the work.

I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters.

I don't think you can teach someone how to come up with good characters or a story.

I project myself so deeply into the characters in novels that I'm not thinking about my own life.

Sometimes I pretend not to look at my own characters, because that's like different people getting off with your girlfriend or something.

I don't think about the stories so much, as the characters themselves. They live on, and they are almost as real as I am.

Once you have your character sitting right there in your head, all you really need to do is wind them up, put them down, and simply write down what they do, say, or think.

Characters more or less present themselves to me. I don't know their origins. I think if I did, if I seemed to myself to fabricate them, I could not induce suspension of disbelief in myself in the way writing fiction requires.

That's a long way of saying no, I'm always too bound up in thinking about the characters in whatever I'm working on and trying to make good to dwell on characters from previous books.

Over the years I have forged intimate familial ties with these characters, who are reflections of a portion of myself. Consequently, even a character who appeared only once in a short story waits now in the wings, concealed by the curtain, for his next appearance on-stage. Not one of them has ever broken free of his familial ties with me and disappeared for ever - at least, not within the confines of my heart.

I think because I write so many short stories, it's not that hard to come up with characters that are not me.

I've thought a lot about the power of empathy. In my work, it's the current that connects me and my actual pulse to a fictional character in a made up story, it allows me to feel, pretend feelings and sorrows and imagined pain.

As you become acquainted with a character you are creating, you add parts of yourself that are pertinent to that character.

We should use our imagination more than our memory.

I don't think an actor needs to necessarily go through his things to do his job. I think it's way more important to imagine. And then, when you're imagining, your experiences, your images and your own personal things will show up, but you keep imagining. You don't get stuck in your own personal things, otherwise you are telling your story in every character, and that's not interesting for anybody.

If I'm not like my characters, I think just it's like a musician liking to play certain pieces of music rather than others. I just have more satisfaction when playing complicated things rather than some of your more straightforward, simple moments. . . . I like to be challenged.

Whoa, I've really got to stop making plans with fictional characters. It can't be healthy to develop relationships with people who don't exist.

..I fancied you'd return the way you said, But I grow old and I forget your name. (I think I made you up inside my head.) I should have loved a thunderbird instead; At least when spring comes they roar back again. I shut my eyes and all the world drops dead. (I think I made you up inside my head.)

I think that storytelling and creation are very close to what the center of what magic is about. I think not just for me, but for most of the cultures that have had a concept of magic, then the manipulation of language, and words, and thus of stories and fictions, has been very close to the center of it all.

A lofty mind always thinks nobly, it easily creates vivid, agreeable, and natural fancies, places them in their best light, clothes them with all appropriate adornments, studies others' tastes, and clears away from its own thoughts all that is useless and disagreeable.

I think it's really boring, from the point of view of the novelist, to write about yourself. Tedious. But that's very hard to explain to people who really don't believe in the possibility of invention.

What I try to do is write from the inside out. I really try to jump into the world of the film and the characters, try to imagine myself in that world rather than imagining it as a film I'm watching onscreen. Sometimes, that means I'm discovering things the way the audience will, with character and story.