Gloria Trevi Quotes

To me, the technique was almost irrelevant; it was what was coming across.

I think the most challenging part of being a performer is just making sure that people know that when you get up there every night, it's unique and that you care.

I never want to compromise my act just to get a laugh.

You have to make films you feel strongly about. And then hope you can find the audience.

It's one of the things that looks good written down, but the reality is that you think about the pieces you're doing and try to bear in mind everyone in the audience.

It's hard with ballet because your aesthetic really is important. It's different from acting and from film. Nobody wants to watch somebody who is sickly thin. And it's interesting because I have danced with people who are ill, have eating disorders, and a light goes off within them.

We still have that same burn, to get that same kind of laughs. So whether the studio wants us to or not, we're going to do it. The money is just a byproduct of coming out with good stuff. Our whole thing is building that rapport with the audience.

What sometimes annoys me about the arts is increasingly that we have to put real people on screen or stage.

You don't want to go and make something, then go out and do shows, if you're not really into it. You don't want to go out there and make people feel like you're grudging playing them a song. That's a disturbing thought.

The way I work, and the material we work with, I think if you analyze too much and have too many specific ideas, it just becomes a little bit too superficial, and then performances might become too self-conscious and project relatively narrow things.

The world is full of bands and bullshit, and if I'm doing a stupid art project like rock 'n' roll then I want to spare my audience as much as possible.

I've done some wonderful performance on TV even better than films. But once people watch it, they just forget it. The impact is not strong. So, films and TV are different.

Instead of signing 10 films a year, I'd rather do a couple of films where I can give my best performance and am appreciated by audiences.

The connect that I have with the audience comes from my hard work and sincerity towards my craft and also because of the opportunities that I have had. I have been able to engage with my audiences. They observe my performances minutely. They think I will do some magic on screen. They like me because I don't do over-the-top acting.

I don't believe in making those high-brow films that the audience does not understand.

If I don't feel the music, I can't perform it.

I feel you lose your audience when you make movies for others and not for yourself or your people.

Yes, sharing super-personal experiences is scary, but I can only get up on stage and perform it if I really connect with the music.

There has to be that zeal to do something new and surprise yourself and audiences. You have to stay true to your craft, and that should never be sidelined.

We want to be presentable and respectable, but feel like we can talk freely about what we want to sing about - we don't need to cuss to have that bad-boy attitude, I guess.

I've never met an artist who was at a certain level of spirituality offstage and then lowered it onstage.

Whenever I sing a song, I just want it to reach out to the audience.

I have to be vulnerable to allow myself to give the best performance I, and that doesn't stop in between takes, and it doesn't stop when I am finished for the night.

The entertainment thing - you're there to entertain, it's not about you - I get that, but for a while I lost my opinion.

Taking off my shirt has become a part of my life, whether it is at award ceremonies or reality shows. As long as people enjoy it, why not?